Assuming that you are asking for help identifying the keys, the items are asking for you to draw either a flat or sharp sign in front of the note (depending on the question) and to identify what letter note it represents. The letter notes of the treble clef (starting from line 1, the bottom line) are E, F, G, A, B, C, D, E, and F. The line acronym is Every Good Boy Does Fine, and the space acronym is FACE. The letter notes of the bass clef (starting from line 1, the bottom line) are G, A, B, C, D, E, F, G, and A. The line acronym is Good Boys Do Fine Always, and the space acronym is All Cows Eat Grass. For example, on the second note of question three, you would draw a flat sign in front of the note, and write its letter note, A, on the line below it. If you would like the answers directly, please don't hesitate to ask.
Your answer is
art i think not sure lemme see the chocies
Answer:
1. an elaborate musical composition for full orchestra, typically in four movements, at least one of which is traditionally in sonata form.
2. a composition for an instrumental soloist, often with a piano accompaniment, typically in several movements with one or more in sonata form.
3. the concluding passage of a piece or movement, typically forming an addition to the basic structure.
4. exposition, development, and recapitulation
4a. exposition- the initial presentation of the thematic material of a musical composition, movement, or section. The use of the term generally implies that the material will be developed or varied.
4b. development- musical development is a process by which a musical idea is communicated in the course of a composition. ... In sonata form, the middle section (between the exposition and the recapitulation) is called the development. Typically, in this section, material from the exposition section is developed.
4c. he recapitulation is one of the sections of a movement written in sonata form. The recapitulation occurs after the movement's development section, and typically presents once more the musical themes from the movement's exposition.
there's the first 4 answered :)
Answer:Japan began producing animation in 1917—still the age of silent films—through trial-and-error drawing and cutout animation techniques, based on animated shorts from France and the United States. People started talking about the high quality of Japanese “manga films.” But Japanese anime were costlier to produce than Western animations and were overshadowed by the popularity of Disney cartoons. They faced an uphill battle from the start.
One of the things that helped them find their niche was anime production for public relations and publicity campaigns by public institutions. Domestic anime production was beginning to develop a small but solid foundation when Tokyo and the surrounding area suffered catastrophic damage in the Great Kantō Earthquake in 1923. The anime industry was forced to start over from scratch.
The industry continued to struggle, unable to respond adequately to successive innovations, including the appearance of the first talkies in 1929 and color film in 1932. During this period, Ōfuji Noburō won international acclaim for Bagudajō no tōzoku (The Thief of Baguda Castle), which he made by cutting and pasting chiyogami (Japanese colored paper). His film is remembered as the first to make its presence felt outside Japan.
Many other promising anime artists appeared one after another, but with war approaching, goods were in extremely short supply as the national mood turned militaristic. Even film was not easy to get hold of. It was in this context that the first full-length theatrical film in the history of Japanese anime was released. Momotarō: Umi no shinpei (Momotarō’s Divine Sea Warriors, B&W, 74 minutes), produced by the navy, came out just before the end of the war. This was a propagandistic film designed to lift morale and commitment to the war effort.
Soon after the war ended, the General Headquarters of the Allied occupation (GHQ) brought together 100 anime artists in the bombed-out ruins of Tokyo to form the Shin Nihon Dōgasha, or New Japan Animation Company. The aim was to make it easier to spread occupation policies by having the artists produce anime in praise of democracy. However, many of the artists were fiercely independent and territorial, and the company was riven by disagreements from the outset. The project strayed off course, and eventually disbanded. Even GHQ threw in the towel. It seemed the switch from militarism to democracy was not going to be so easy.
Explanation:
