The poetic techniques that are illustrated in the opening lines of this poem are personification and enjambment.
Personification is when inanimate objects have human qualities, such as <em>and my skin has betrayed me.
</em>Enjambment is when the though found in one line is transferred into the following one, such as in <em>still sucks his thumb/in secret.</em>
Answer:
:(not/have) two children to support.
in brackets into the correct tense.
ne ever
e zoo
finds out...
(find out) about this.
(die) unless they're fed.
(run) home if I'd known the football match was on TV.
I parted ways with him,his birthday was a day ago.I couldn't do it then,I couldn't look him the eyes&I couldn't do it...I strolled to his home and knocked,his younger sibling opened the entryway wide eyed.She embraced me,tears moved down my cheek as I was already aware it was going to be the last time.I couldn't envision the torment I was going to place this man in, I'm saying a final farewell to him since I know hes not the one for me, I have dropped out of love,And I've discovered another man that feels like the correct one for me.Come in she said,I stroll in and he contracts his hair splashed from a shower and his shirt and pants all wrinkled from a race to put them on.I got welcomed with an embrace and a kiss on the cheek,I put on a sprightly face and kissed him back.I said gives up upstairs, he said Okay gives up up.My face was miserable the remainder of the time and he posed an inquiry. I blanked out and he tapped me and said whats wrong,I balled and revealed to him the news.I felt really miserable for causing him so much pain...
Most likely, Gregor will open the door or someone in his family is going to force the door open. This will reveal Gregor's new form and the reader will get to see how Gregor's family reacts to his sudden transformation. Most likely they will be shocked and afraid at first.
<span>
[She] had kindled the callow fancy of the most idle and shiftless of all
the village lads, and had conceived for this Howard Carpenter one of
those absurd and extravagant passions which a handsome country boy of
twenty one sometimes inspires in a plain, angular, spectacled woman of
thirty. (Willa Cather, "A Wagner Matinee")
</span>
