Answer:
Nouns: you, I
Hyperbole: Throw my hand on a blade
Metaphor: I'd catch a grenade for you
Onomatopoeia: ( I suggest if you can, choose another song, onomatopoeia is normally characterized by sounds of things for example if he said Grenades go BOOM that would be onomatopoeia)
Similie: same thing, look for song that use comparative language such as like or as in their metaphors because that's what really makes a simile
Olá. Essa pergunta esta incompleta. A pergunta completa é:
Estava em casa com muita vontade de sair, porém eu me sentia meio down ,para ver se melhorava um pouco tomei um banho
Explique o significado da expressão em inglês na frase acima.
Answer:
A palavra "down" significa que o narrador da frase estava se sentindo triste.
Explanation:
A palavra "down" em inglês significa "para baixo". Ela pode ser utilizada de forma conotativa para expressar um estado de espirito diminuto, o que significa que uma pessoa esta triste, desmotivada, melancólica e sem vitalidade. Nesse caso, quando o narrador afirma "estava me sentindo meio down" ele quer dizer que estava se sentindo triste.
he used metaphor (the metaphor of the storm) to appeal to pathos. Pathos is one of the Three Points of Persuasion. These three points are Logos (logic), Ethos (ethics), and Pathos (emotion). Patrick Henry was hoping to use the image of a frightening, approaching storm as the basis for an emotional argument in favor of separating from Great Britain
Please mark brainlest
In a way, Marlowe's Dr. Faustus is both an epitome and a subversion of the Renaissance Man. Having broken free of the medieval rule of theology, he unleashed curiosity and wanted to learn more about the world. Dogma is still strong, but the urges and impulses to challenge it are even stronger. Just like protestants challenged traditional Catholic dogma, and Calvinists challenged Lutherans with the idea of predestination, Dr. Faustus challenges traditional human aspiration to be good, do good, and end up in heaven as a reward. He turns this notion upside down, presuming that there is no way he would be able to end up in heaven.
So, Dr. Faustus is an embodiment of curiosity gone wild. His blase attitude towards humanistic science is, however, some kind of a scientific decadence: he casts away philosophy and law, to embrace magic, as a relic of medieval obsession over mysticism. In this regard, he is a subversion of the Renaissance Man. He thinks he has already learned all there was to learn about this world, so now he yearns for another kind of knowledge - esoteric, otherworldly, knowledge that isn't exactly a knowledge because you don't have to study long and hard for it, you just have to sell your soul to Lucifer.
The Renaissance was torn between two concepts: of a scholar, turned to nature, the globe, the world, and of a religious person who still can't come to terms with the God and the church. Dr. Faustus transcends both of these concepts: he is a scholar who betrays his profession, and a religious person who devotes to Satan, believing (not knowing!) that he has no chance whatsoever to be forgiven for his sins.
In this regard, the play doesn't criticize or support the idea of the Renaissance Man. It simply tries to come to term with the philosophical issues and conflicts of its own time.
