Do you want to talk about friend?
I dont have that book or i would help sorry
Hello. You forgot to enter the answer options. The options are:
A) Not all men enjoy freedom even in this democratic country.
B) Liberty in a democratic government is an important value.
C) Women cannot enjoy the country’s freedom without the right to vote.
D) The right to vote is one of the blessings of liberty in a democratic country.
Answer:
C) Women cannot enjoy the country’s freedom without the right to vote.
Explanation:
Anthony contra argues the idea that women have freedom within democracy, claiming that what guarantees a citizen's freedom and rights is the vote. If the vote is denied to women, it means that they have no freedom whatsoever and that their rights will not be guaranteed, since the vote is the security of citizens and the guarantee that the State will work in their favor. Without this guarantee, women are captive, limited and without rights.
Answer:
Between his first recording session in 1944 and his death in 1991, Miles Davis changed the course of music many times. The first of these came with the short-lived lineups he assembled for a New York residency and three studio sessions between January 1949 and March 1950. The nine-piece lineup was unusual – few jazz bands used a French horn – and the gigs attracted little attention. The sessions produced a handful of singles for Capitol Records, later collected as an album called Birth of the Cool – these ensured the band’s shadow would prove longer than all but a handful of its contemporaries.
The recordings were the result of hanging out after hours at arranger Gil Evans’s basement flat. The punchy, brightly coloured Venus de Milo was one of three tracks the group recorded that was composed by saxophonist Gerry Mulligan. The epithet “cool” isn’t entirely helpful, suggesting a prizing of style over substance: this music is never aloof or detached. Rather, this is what you got when you tuned down the frenzy of Charlie Parker and Dizzy Gillespie and allied it to the kind of sophisticated big-band arrangements Duke Ellington pioneered. Davis was a fan – and a part – of both traditions: not for the first time, what he crafted was a fusion of preceding forms that changed what would follow.
Explanation:
