Formal Speech is a type of speech which is used in formal, 'serious' problems such as the workplace or a dinner party.
<h3>Write a speech to be delivered and prize giving day showing the success ?</h3>
Respected all,
A very good sunrise to all of you. First of all I would like to thank our Principal madam for giving us this chance to organize this event. I would also like to thank our teachers and staff for constantly supporting us and inspiring us.
Today I am going to speak a few words on the topic that is a huge concern to our community. I stay in the suburb of Park Street, where two small firms manufacture goods. The management of the firms dump the waste and other hazardous fabrics near our place. It is a matter of concern and I am afraid that it shows to a number of disease that our locality has witnessed in recent times in the young children of the society.
The authorities are also silent about the matter. The local of our residence has presented this issue to the authorities but everything is in vain.
The dump yard is much dirty and lots of stray dogs and others birds come to that place and is circulating germs and disease to all over the places. So I along with some of my friends have decided to handle this issue to the Mayor our city and would plead to take some tough action against them for polluting our beautiful locality and circulating disease.
With this I finish my speech and thank you all once again.
To learn more about Speech, refer
brainly.com/question/26157848
#SPJ9
Answer:
CROCODILE BURNING
BOOKSHELF
CROCODILE BURNING
BY MICHAEL WILLIAMS
RELEASE DATE: AUG. 1, 1992
Seraki's Soweto life takes a new direction when, almost by accident, he lands a part in a musical drama. The angry play is called iSezela, after a powerful, menacing crocodile in African myth, symbol of many kinds of oppression. The crocodile haunts Seraki: His brother Phakane is a political prisoner; the Naughty Boys, a gang of urban terrorists, is extorting money from his family; and the play, initially a liberating experience, becomes a nightmarish trap after its wild success in South Africa leads to a Broadway run and the director, Mosake, changes from inspirational leader to violent, exploitative tyrant. The author's theatrical experience stands him in good stead; readers will get a good sense of the work involved in a stage production and the heady feeling when it all comes together. While his lurid, harshly ironic portrait of N.Y.C. is unconvincing, Williams's insider's view of South Africa will open some eyes. The book ends on several hopeful notes: Seraki and the rest of the cast confront Masake, negotiate fairer contracts, and celebrate Nelson Mandela's release and also Phakane's—the crocodile's grip is slipping. ``So many things are happening in this country, Seraki, so many good things!
