Answer:
I believe what's at the bottom is correct. If that's your answer, then use that.
Explanation:
I'm guessing b. because then those senses help us visualize in our head. I don't know really could be wrong but, hope it helped.
Answer:
The option that BEST explains how these details develop a CENTRAL idea of the article is:
b. They both demonstrate the reasons why teens are drawn to dystopian novels.
Explanation:
This question is about the article "The Appeal of Dystopian Novels for Teens" by Jennifer Kendall. <u>The two details we are analyzing here are found in the section "Teen Appeal"</u>. Prior to the section, the author does focus on how dystopian novels and their characters have changed throughout history. H<u>owever, this particular section focuses on why teens are drawn to such novels. The two details are, thus, developing the idea that dystopian novels present an empowering and inspiring scenario, in which characters face challenges and injustice while counting only on themselves. That is what attracts the teenage audience to them.</u> Having that in mind, the best option is:
b. They both demonstrate the reasons why teens are drawn to dystopian novels.
Answer: Khattam-Shud shows Haroun on the ship that each story in the Ocean requires its own type of poison to properly ruin it, and suggests how one can ruin different types of stories. Iff mutters that to ruin an Ocean of Stories, you add a Khattam-Shud. The Cultmaster continues that each story has an anti-story that cancels the original story out, which he mixes on the ship and pours into the ocean. Haroun, stunned, asks why Khattam-Shud hates stories so much, and says that stories are fun. Khattam Shud replies that the world isn't for fun, it's for controlling. He continues that in each story there is a world he cannot control, which is why he must kill them.
Explanation:
Iff here simplifies Khattam-Shud's explanation, as all that's needed to really end a story is to say it's over. However, Khattam-Shud is working to not just end stories by simply saying they're over, but to make them unappealing to audiences, which will then insure that they won't be told, Silence Laws or not. Think about the ancient stories around the Wellspring; they exist as an example of what happens when stories are deemed boring and not useful.
