The two Donatello's characteristic formal contributions are encountered in the work for Baptistery of Siena. He demonstated it through organizing the relief by a rigorous application of the rules of perspective. Even though it was created at a shallow deptht, this technique makes each figure of a scene emerge clearly and very logically. This technique is determined as a flattened relief.
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B. balanced between the lower earthly portion, and the suggested movement in the upper celestial portion
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He convinced Louis XIV to order Hyacinthe Rigaud to paint a portrait of him. This painting was meant not to show Louis' character but to glorify the absolute monarchy.
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