I would write it, "If we were teenagers at the time, these licenses would have signified our passage to adulthood." I hope that helps ^_^
Long Answer:
In The World: Ponyboy and Johnny are ambushed by a group of Socs. Because Ponyboy is without a weapon, he quickly is beat down in the fight; when he awakens from his unconscious state, he discovers that Johnny has killed one of the Socs. With the help of Dally, Ponyboy and Johnny make their escape, hopping on a train to Windrixville and hiding out in an abandoned church. Ponyboy claims about this journey: "This is the country, I thought half asleep. My dream's come true and I'm in the country."
This is ultimately ironic because Ponyboy's fantasy about living in the country always involved him living a more peaceful life; now that he has finally ended up in the country, he is there as a result of extreme disruption and to hide from the police. The environment is right, and the circumstances are all wrong.
A would be the best answer
The author's intent in his description of the conflict between the Lilliputians and the Blefuscudians in the fourth chapter involved connecting them to the French Catholics and the British Protestants.
Explanation:
- After Lilliput's Secretary of private affairs pays a visit to Gulliver, he explains the conflict between the people of Lilliput and the Blefuscudians.
- The conflict started between the two over the religious question of egg-breaking depicts the long series of wars between Catholic France and Protestant England.
- He states the differences in the communion of the Catholic and Anglican churches and that the war started when the Blefuscudian people put down the religious beliefs of the Lilliput.
- Swift emphasizes the contrast between Gulliver's naive acceptance and physical facts.
- He also relates the folly of the religious war between the two to immediate European politics by talking about The High heels and The low heels of Lilliput.
Answer:
When reading a work of creative nonfiction, it is important to remember the story is true. This means the author does not have as much artistic freedom as a fiction writer or poet might, because they cannot invent events which did not happen.
Explanation:
