Answer:
Here, drug use is controlled with the set daily limit of 5 grams. ... Is the right move to legalize only marijuana or should we put a stop on forbidding ... 2014 for marijuana offenses and this is only on the area of the United States.
Answer:
The two answers are:
They involve representations.
They work with connotative meaning.
Explanation:
Figurative language almost never directly defines a situation, action, or object.
Answer:
For the Gallagher Girls Series
Explanation:
Netflix and Disney,
I have an idea that I implore you to strongly consider. The six books of the Gallagher Girls series would make for a thrilling and captivating TV show. With so many students at home now during these strange times of the Coronavirus, they are looking for a new TV show to binge. These books would be binge-worthy indeed as a show. The six books that are told by Cammie Morgan, are filled with powerful girls, a captivating love story, along with so many surprises that will have viewers on the edge of their seats needing more. These books by Ally Carter are something that a lot of teens these days need, an escape from reality into the incredible world of espionage. Not only is the incredible plot enough to pull in viewers, but so are the characters. Mr. Solomon and Zach, for example, are described as so hot that "James bond would feel insecure" and "Indiana Jones would look like a mama's boy." The numerous fans of these books would devour this TV show and share it with everyone they know. So, with this, I strongly encourage you all to make this book series into a TV show.
Sincerely, y/n
Answer: The answer is C. The infinitive "to know" is functioning as an object.
Answer: Dulce et Decorum Est is by Wilfred Owen and is historical fiction. The title is significant as Dulce et Decorum Est (followed by pro patria mori) means that it is sweet and fitting to die for one's country. The title is ironic as the unlucky soul that dies to the gas attack does not die sweet or peacefully. It's just another day on the battlefields of World War I . As our speaker, another soldier on the battlefield, lets us know right away, however, "normal" isn't a word that has any meaning for the soldiers anymore. They're all mentally and physically ravaged by the exertions of battle.
And then it gets worse. Just as the men are heading home for the night, gas shells drop beside them. The soldiers scramble for their gas masks in a frantic attempt to save their own lives. Unfortunately, they don't all get to their masks in time. Our speaker watches as a member of his crew chokes and staggers in the toxic fumes, unable to save him from an excruciating certain death.
Now fast-forward. It's some time after the battle, but our speaker just can't get the sight of his dying comrade out of his head. The soldier's image is everywhere: in the speaker's thoughts, in his dreams, in his poetry. Worst of all, our speaker can't do anything to help the dying soldier.
Bitterly, the speaker finally addresses the people at home who rally around the youth of England, and urge them to fight for personal glory and national honor. He wonders how they can continue to call for war. If they could only witness the physical agony war creates – or even experience the emotional trauma that the speaker's going through now – the speaker thinks they might change their views. In the speaker's mind, there's noting glorious or honorable about death. Or, for that matter, war itself.
Explanation: 100% on it
