Answer:
D. Before he went to sleep he completed his homework.
Explanation:
A dependent clause is a clause that has a subject and a verb, but doesn't make sense on it's own. The dependent clause is"Before he went to sleep", because he is the subject, and sleep is the verb, but doesn't make sense on it's own.
Answer:
Point of view is the angle of considering things, which shows us the opinion or feelings of the individuals involved in a situation. In literature, point of view is the mode of narration that an author employs to let the readers “hear” and “see” what takes place in a story, poem, or essay.
Explanation:
Google is a thing.
Answer:
The poem "Harlem" uses A. free verse
Explanation:
First, let's take a look at the poem "Harlem" by Langston Hughes:
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore—
And then run?
Does it stink like rotten meat?
Or crust and sugar over—
like a syrupy sweet?
Maybe it just sags
like a heavy load.
<em>Or does it explode?</em>
<em />
We can clearly see there isn't much of a pattern being applied. The very fist line of the poem is much longer than the rest of it. None of the lines constitute a iambic pentameter - a five-time repetition of an unstressed syllable followed by a stressed one. Therefore, we can eliminate options B and C, according to the descriptions provided in the question.
We can safely eliminate letter D as well, since we do not have a pattern of two consecutive lines that rhyme in this poem -- note that the two last lines do rhyme and are consecutive in the sense that there isn't another line between them; still, they do not belong to the same stanza and are not related enough to be considered a couplet.
<u>The only option left, and the correct one is A. free verse. Even though there are a few rhymes taking place in "Harlem" (sun/run, meat/sweet, load/explode), they do not follow a consistent pattern. Mostly, they are intercalated with lines that do not rhyme at all (up, sore, over, and sags). There is no concern for metrics either, each line having a different number of syllables.</u>
Answer:
Life on the Mississippi was the book that launched the now well known Samuel Clemens’ career as a “serious” author. Clemens, more well known by the title Mark Twain, paints Mississippi steamboat living and the workings of the river itself as a tribute to that great river. Twain uses this novel as a combination of an autobiography of his early days as a steamboats man, and a collection of anecdotes about the people who made their living both along the great river and on it. It was from this work that the novel Huckleberry Finn would emerge, using the raw material to set the backdrop for this work which is considered Twain’s greatest novel. Mark Twain spent most of his early life in Hannibal, Missouri, the Mississippi river town that first gave him a taste of what it was like to live the life of a steamboat man. It was there that he was bitten by the bug of becoming a steamboat pilot, though that lay dormant for a time before he finally acted on it. Before Twain could pursue his passion on the steam boat, his father died, and he became apprenticed to a printer and began to write for his brother’s newspaper. It was in 1857, ten years after his father’s death, and after having begun work in many eastern cities as a printer, that Twain decided to go seek his fortune in South America. Before he could make it there, however, he had to go through the major port city of New Orleans. It was here in New Orleans that Twain decided to give up his possible fortune in South America and pursue his first and foremost passion, becoming a steamboat captain. This part of Mark Twain’s life had a huge impact on his greatest writing, and it was in this time that he obtained the material he needed to write Life on the Mississippi. Reading through the book, it is obvious how much respect Twain has for the river itself. This is evident through the ways in which he describes its incredible size, and at the same time its minute complexities. His detailed descriptions and picturesque use of language within Life on the Mississippi serve to prove to Twain’s audience that he is indeed a serious and well spoken author. It is obvious that Twain affinity for the river itself is the source and backbone of this book, while Twain also manages to bring out the eccentricities of not only the river, but also of the people who populate it. These stories of workers, farmers, and steamboat captains serve to bring the novel alive for the audience. As I have stated earlier, this also allows for a great deal of background for his novel Huckleberry Finn. It is in this novel, considered his greatest of all time, that Twain gains the admiration and awe of people around the globe, and without the raw material of Life on the Mississippi, he would not have what he needed to make this novel what it was. Thus, he began his career as a novelist with this novel, and he reached his peak as well through this novel, gaining him more recognition as an author than the vast majority of all American authors, and than authors throughout the world.
The intervention of the supernatural gives Gilgamesh hope that he will defeat Humbaba.
