In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
Answer: The correct answer is option "E". Be as detailed as possible to avoid confusion.
Explanation: When writing the writer must think about the reader and feel empathy by putting himself in the shoe of the reader. A writer must avoid the use of ambiguous words or vocabularies that the reader will have to consult an encyclopedia before he can digest the message. The writer must be precise and clear and choose his words carefully in order not to confuse the reader.
A writer must always remember that for communication to occur the receiver must understand what the speaker is saying and be able to send a feedback.
Answer :
A) Harrison inspires people to rebel against the government.
In the short story "Harrison Bergeron" by Kurt Vonnegut, Jr. Harrison removes all his handicaps meant to curb his handsome looks, strength and intelligence. He storms into the studio and says that he is the emperor of the world and everyone must obey him. He inspires the ballerinas to rebel against the government by saying that the first woman to stand up would be his mistress. Next he orders the musicians to play good music and offers them royalty on doing so. The removal of his handicaps is, thus, inspiring to people to rebel against the equality enforced by the constitution.
Something interesting like an event in history
Im not sure
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