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Describing the African-American influence on American music in all of its glory and variety is an intimidating—if not impossible—task. African-American influences are so fundamental to American music that there would be no American music without them. People of African descent were among the earliest non-indigenous settlers of what would become the United States, and the rich African musical heritage that they carried with them was part of the foundation of a new American musical culture that mixed African traditions with those of Europe and the Americas. Their work songs, dance tunes, and religious music—and the syncopated, swung, remixed, rocked, and rapped music of their descendants—would become the lingua franca of American music, eventually influencing Americans of all racial and ethnic backgrounds. The music of African Americans is one of the most poetic and inescapable examples of the importance of the African American experience to the cultural heritage of all Americans, regardless of race or origin.
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The Egyptians mummified the dead and put them in massive tombs with golds and riches because they believed that the body should be safe with different objects of the afterlife
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A Structuralist would likely see a plant like image on a blank background, with leaves and some type of buds. On the buds, a mask or clown head appears to have bloomed. The head has human physical features, and looks like its face is painting white with a collar of some type around its neck. A Non-Structuralist would believe there was imagery and symbolism. The plant could represent life or living, and the people or lives that grow and then die, and the lives yet to come to the world. The clown or figures face may represent a person or group, perhaps one which is misunderstood or disliked, based on the look of sadness and despair visible in the face. There are many theories that could be said, however the main difference is that a Non-Structuralist would insist that there is symbolism and not just reality.
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