The resolution is the end of a story. So the answer is 2.
Big-time commercialized intercollegiate athletics has attracted considerable attention in recent years. Popularity of this uniquely American activity, measured by attendance, television ratings, or team revenues, has never been higher. At the same time, however, several high-profile scandals exposing unseemly behavior on the part of players, coaches, and even respected higher education institutions—as well as questions about the distribution of the enormous revenues pouring into university athletic departments—have marred the image of these college football and men's basketball programs. Currently, there are several legal challenges to the National Collegiate Athletic Association (NCAA) and its member institutions that may change dramatically and permanently the arrangements between the NCAA cartel, its member colleges, and universities, and the "student-athletes" who play on the teams. These challenges all focus on the NCAA's collective fixing of players' wages. We describe this peculiar "industry," detailing the numerous market imperfections in both output and labor markets, the demand for and supply of college athlete labor, and possible alternative arrangements in the college athlete labor market, including the ramifications of compensating players beyond the tuition, room, board, books, and fees that some current players already receive as grants-in-aid.
Answer:
The character's dialogue and how the actors portray them.
Explanation:
In any medium of storytelling, dialogue and character interaction is the primary window to any character's soul, but since plays have actors, critics can analyze the facial expressions, body language, and vocal quirks actors give to their characters that give even greater insight as to who the characters are.
Answer:
Virginia Woolf was an English author born in 1882. She was one of the first writers to use the narrative technique known as stream of consciousness. Woolf is quoted often in today's world. One of her quotes is the one mentioned above:
"... the past is beautiful because one never realizes an emotion at the time. It expands later, and thus we don't have complete emotions about the present, only the past."
Many authors, such as Tara Westover, use this quote in their own work. It is likely that Woolf was attempting to express the concept that "hindsight is 20/20" or something similar to this. This means that the past can only be appreciated because with the past comes memories that hold emotions.
The resolution of the plot is right after the complication. The real problem of the story. The resolution is the way the problem is fixed.
