Answer:
The first one
Explanation:
it says "The exact time' the lunar module sets down on the moon"
Answer:
Explanation:
<u>Michelangelo.</u>
Pope Julius II asked Michelangelo to switch from sculpting to painting to decorate the ceiling of the Sistine Chapel, which was quite hard for him since he was a sculptor, he accepted the offer and revealed the work on October 31, 1512. Shortly after, it was discovered that there was infectious fungus in the plaster, this led to Michelangelo firing all his assistants, he, however, proceeded to redo the job all by himself, spending countless hours on his back and overseeing the project jealously until completion.
<u>Donato Bramante</u>
Donato Bramante was hired by Pope Julius II, to reconstruct St. Peter’s Basilica, when Pope Julius II took over the office, the condition of the church building was extremely poor, so he used the opportunity to modernize the church, and he left his impression forever on the Vatican, to this day, it is regarded as One of Pope Julius II’s largest and most well-known commissions.
<u>RAFFAELLO Sanzio</u>
Raphael was hired to make the portrait of Pope Julius II, it was an oil painting of the Pope, where the pope was sitting on a chair with th tiara on his head, he was dressed in a white surplice and a purple mantle and appeared to be lost in thoughts, it was commissioned by the Pope in 1511. Today, it is hanged at the Uffizi Gallery in Florence and another version is at the National Gallery, London.
It’s called rhythm and beats
Answer:
Raphael’s Madonna of the Meadow depicts the Virgin Mary with Jesus Christ the child and John the Baptist. Mary is the largest figure, anchoring the foreground in stable triangular form. The deep hues of her blue cloak and red dress emphasize the triangle, and force the baby Christ and John the Baptist further into the foreground. The baseline of the triangle is created by Mary’s cloak; John marks the left corner, Jesus is at the center, and Mary’s foot (highlighted to compensate for its small size) marks the right corner. Raphael contrasts earthy tones and deeper shades in the middle and foreground against the pale, bluish background to create a square. The combination square and triangle, both Renaissance symbols of the perfection of Nature, provide stasis and unity. Each shape draws the viewer’s eye: The triangle directs attention to Mary’s face, the square (from Mary’s chest to the bottom of the painting) directs the viewer to the figures of Jesus and John. Raphael creates depth in the middle ground by showing small trees. In the background, he uses atmospheric perspective to create depth: the pale shades, blue tint, and smudged lines of the hills and village across the lake. Each figure casts a shadow on the ground, and shadowing between Mary and Jesus creates space between them to create volume.
Ex:I hope this helps haha ,
i had to something like this a few days ago
It can help them understand identity.
