Which dynasty became known as the Bronze Age if China because it focused on bronze artwork

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The era of the Shang and the Zhou dynasties is generally known as the Bronze Age of China, because bronze, an alloy of copper and tin, used to fashion weapons, parts of chariots, and ritual vessels, played an important role in the material culture of the time.

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Do you feel documenting classifies a temporary artwork as a two dimensional artwork

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Answer:

Explanation:

The temporary art - such as public art that is exhibited only for a short amount of time or visual performances - can't be experienced by everyone and in a longer period. Therefore, the only way to preserve this art is to document it via text, video or a photograph.

We must expect that the art won't stay the same and provoke the same feelings as the original, temporary art. Seeing something in real-time and in real life, experiencing the movements, the size of it, the three-dimensionality, is something that is different from anything else. That is why the art is exhibited or performed in the first place, even if for a temporary time.

What we can expect is to change the focus of art.

This does mean the art will become more two dimensional. However, we can provide that documenting it becomes another, a special form of art that will save the part of original quality, but that will absorb qualities of another form of art.

If we photograph the temporary sculpture in the public space, we can provide that the way we photograph it (aerial photography, with many spectators, isolated, in a different light) expands some of its qualities. If we make the video of the performance, we can use special techniques that are used in filming to accent certain aspects of the performance.

Therefore, while the art will lose some of its three-dimensionality it will gain different qualities and will transform itself into a completely different medium of the art piece.

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3 years ago

marcel bleuler, "in bed with marina abramovic: mediatizing women’s art as personal drama," in the mediatization of the artist (2

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The 2018 publication of a book "The Mediatization of the Artist" written by various writers included a chapter titled "In Bed with Marina Abramovi: Mediatizing Women's Art as Personal Drama" written by Marcel Bleuler.

The recent methods used to mediate popular performance artist Marina Abramovic and the stories built up around her work of arts are covered in this chapter of Bleuler's book. The author argues that Abramovic uses the narrative as part of her image strategy and analyzes paradigmatic projections of a romantic need onto female artists, primarily in film.

Marina Abramovic's famous live performance art during 2010 attracted nearly a million visitors to the Museum of Modern Art (MoMA). While Abramovic attempted to rationalize this hysteria by demonstrating the psycho-neurological significance of her "art" through scientific means, Marcel Bleuler contended that the hysteria stemmed from a rhetoric about the performance that was too profound and that spread over time and through various media, following a common pattern in the mediatization of female artists: the ambiguous attention as a remedy for an unmet need to be appreciated.

Image: "Marina Abramović during her "The Artist Is Present" show at the Museum of Modern Art

Learn more about Marina Abramovic: brainly.com/question/10593223

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