Answer:
It was originally written in 1973, in honour of Marilyn Monroe, who had died 11 years earlier. In 1997, John performed a rewritten version of the song as a tribute to Diana, Princess of Wales.
Explanation:
He is a hungarian-born french painter who painted geometric abstractions and was a prominent influence on the Op art movement.
It's the first one, a vanishing road to show perspective because you can see the lines of the fence seem to go one forever into the distance.
<span>In The Story,The Lady with the Pet Dog, Dmitry Gurov meets a lovely woman named Anna at a seaside hotel. Though Gurov is a contemptuous, disagreeable character, he falls in love with Anna, and they have an affair. Upon his return to Moscow, Gurov assumes that he will forget Anna. When he doesn't, he seeks her out, and they find modest happiness together</span>
Manga Ormolu enters the dialogue on contemporary culture, technology, and globalization through a fabricated relationship between ceramic tradition (using the form of Chinese Ming dynasty vessels) and techno-Pop Art. The futuristic update of the Ming vessels in this series recalls 18th century French gilded ormolu, where historic Chinese vessels were transformed into curiosity pieces for aristocrats. But here, robotic prosthetics inspired by anime (Japanese animation) and manga (the beloved comics and picture novels of Japan) subvert elitism with the accessibility of popular culture.
Working with Asian cultural elements highlights the evolving Western experience of the “Orient.” This narrative is personal: the hybridization of cultures mirrors my identity as an ethnically-mixed Asian Canadian. My family history is one of successive generations shedding the markers of ethnic identity in order to succeed in an adopted country – within a few generations this cultural filtration has spanned China, India, Trinidad, Ireland and Canada.
While Manga Ormolu offers multiple points of entry into sociocultural dialogue, manga, by nature, doesn’t take itself too seriously. The futuristic ornamentation can be excessive, self-aggrandizing, even ridiculous. This is a fitting reflection of our human need to envision and translate fantastic ideas into reality; in fact, striving for transcendence is a unifying feature of human cultural history. This characteristic is reflected in the unassuming, yet utterly transformable material of clay. Manga Ormolu, through content, form and material, vividly demonstrates the conflicting and complementary forces that shape our perceptions of Ourselves and the Other.
