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In his essay "The Negro Artist and the Racial Mountain," poet Langston Hughes interprets the statement of a young African-American poet that, "I want to be a poet—not a Negro poet," to mean, "I want to write like a white poet"; this suggests he was really expressing a subconscious desire to be white. Hughes goes on to argue that this apparent aspiration to bourgeois gentility, as embodied by the dominant Caucasian society, and the psychological cost that adherence to its constraints on creative freedom implies, is terribly damaging to the quality of the creative work and to the spiritual integrity of any African American artist who would embrace it. And it only adds insult to injury that not only does white society pressure African American artists to conform to its standards, but his own people often share the same attitude: "Oh, be respectable, write about nice people, show how good we are, . . . "
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The answer is "She feels that as long as men believe they are superior to women, they will continue to suppress women's right"
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An amazing, unforgettable party has the correct punctuation.
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In Act 2, Scene 1 of Othello, Iago formulates his plan to drive Othello mad. Shakespeare shifts the action from Venice to Cyprus. A storm has dispersed the Venetian fleet so that Cassio arrives first, anxious for Othello's safety. Desdemona arrives later with Iago and Emilia. The group wait, bantering on the topic of women. Iago notices Cassio's courteous manner towards Desdemona and resolves, 'with as little a web as this will I / ensnare as great a fly as Cassio'. Desdemona is relieved by Othello’s arrival and the joyful party depart, leaving Iago with Roderigo.
In this key passag), Iago persuades Roderigo that Desdemona loves Cassio. His speech plays upon stereotypes, revealing the dangerous underbelly of his earlier misogynistic ‘jokes’. His language is heavily ironic, repeatedly calling Cassio a ‘knave’, though we know this is the role Iago himself gleefully identifies with. As he reminds us in his following soliloquy, ‘knavery’s plain face is never seen till used'