Nope. That is considered a fragment.
The subject is present: A bushy, overgrown hedge [located] along the fence.
This can't be complete, however, because there is no verb and such to explain much else.
A complete sentence could be "A busy, overgrown hedge along the fence caught my attention."
*caught is a verb.
Answer: Gatsby still loves Daisy, and is deeply convinced that the two of them can live happily ever after. He is trying to recapture his life at the time the two of them were together.
Explanation:
Jay Gatsby, the protagonist of the novel <em>the Great Gatsby, </em>is motivated by his emotions. He still loves Daisy, his ex-girlfriend. This is why he organizes all of those parties, stares at the green light at the end of Daisy's dock, and asks Nick to organize their meeting. He is trying to recapture himself in the past, and his relationship with Daisy. To Gatsby, there are no obstacles that cannot be removed. Daisy, on the other hand, is a married woman now, and has a child - her life has completely changed since the two of them parted. Gatsby is, for her, just a beautiful memory. Gatsby, however, sincerely believes that he can recapture the past, which is seen in his conversation with Nick, his neighbor and the narrator of the story:
Nick tells Gatsby,<em> "You can't repeat the past," </em>while Gatsby answers, <em>"Why of course you can." </em>
Gatsby does not change his opinion, until the end of his life. As Nick describes it, Gatsby has <em>"an extraordinary gift for hope."</em>
Both Jerry in "President Cleveland, Where Are You?" and Squeaky in "Raymond's Run" reach a point in where they realize that <span>A. helping others is more important than helping oneself.
Both of these characters arrive at the same conclusion in their respective stories, and that is that although it can be quite important to aid yourself, it is usually far more important to help others, and thus secure everyone's happiness.
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Answer:
c. Beethoven
Explanation:
He is among the greatest and most enduringly popular of classical composers, and his influence is profound on subsequent Western art music. Ludwig van Beethoven composed his early works in the shadow of Mozart, and Joseph Haydn wrote: "posterity will not see such a talent again in 100 years".
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He gave a cursory look at my artwork and told me that there was a dearth of evidence that I did this myself.
