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Harlamova29_29 [7]
3 years ago
10

Is a comment on life, not advice on how to live.

Arts
1 answer:
Alborosie3 years ago
5 0
Moral is the answer. Hope that helps
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All audiences are _____________ and _____________.
quester [9]
The answer to this question is “unique” and “considerate”
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3 years ago
The iconic greywacke relief sculpture of ___________ shows the characteristics of Egyptian pharaonic sculpture. He is rigid, fro
raketka [301]

The iconic greywacke relief sculpture of King Menkaure (Mycerinus) and queen shows the characteristics of Egyptian pharaonic sculpture. He is rigid, frontal, with one foot forward as a sign of life. The queen's gesture is one of familial belonging rather than protection.

<h3><u>Who was King Menkaure?</u></h3>
  • Menkaure, also known by the Hellenized names Mykerinos (Greek: M) and Menkheres (Greek: ), was an ancient Egyptian king (pharaoh) of the fourth dynasty during the Old Kingdom.
  • His Egyptian transliteration is mn-k3w-R. (by Manetho). In contrast to Manetho's assertion that he succeeded Khafre to the throne, archaeological evidence indicates that he actually succeeded Khafre. Africanus (from Syncellus) lists Sôris, Suphis I, Suphis II, Mencherês, Ratoisês, Bicheris, Sebercherês, and Thamphthis as the four rulers of the fourth dynasty.

Menkaure gained fame for his Giza mausoleum, the Pyramid of Menkaure, and his statue triads, which depicted the king with his wives Rekhetre and Khamerernebty as well as with numerous gods.

Know more about King Menkaure with the help of the given link:

brainly.com/question/27901661

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4 0
2 years ago
Duke Ellington was one of the first big band leaders to use the string bass as a solo instrument.
Alexxandr [17]

Answer:

Edward Kennedy "Duke" Ellington (April 29, 1899 – May 24, 1974) was an American composer, pianist, and leader of a jazz orchestra, which he led from 1923 until his death over a career spanning more than six decades.

Born in Washington, D.C., Ellington was based in New York City from the mid-1920s onward and gained a national profile through his orchestra's appearances at the Cotton Club in Harlem. In the 1930s, his orchestra toured in Europe. Although widely considered to have been a pivotal figure in the history of jazz, Ellington embraced the phrase "beyond category" as a liberating principle and referred to his music as part of the more general category of American Music rather than to a musical genre such as jazz.

Some of the jazz musicians who were members of Ellington's orchestra, such as saxophonist Johnny Hodges, are considered to be among the best players in the idiom. Ellington melded them into the best-known orchestral unit in the history of jazz. Some members stayed with the orchestra for several decades. A master at writing miniatures for the three-minute 78 rpm recording format, Ellington wrote more than one thousand compositions; his extensive body of work is the largest recorded personal jazz legacy, with many of his pieces having become standards. Ellington also recorded songs written by his bandsmen, for example Juan Tizol "Caravan", and "Perdido", which brought a Spanish tinge to big band jazz. In the early 1940s, Ellington began a nearly thirty-year collaboration with composer-arranger-pianist Billy Strayhorn, whom he called his writing and arranging companion. With Strayhorn, he composed many extended compositions, or suites, as well as additional short pieces. Following an appearance at the Newport Jazz Festival, in July 1956, Ellington and his orchestra enjoyed a major revival and embarked on world tours. Ellington recorded for most American record companies of his era, performed in several films, scored several, and composed a handful of stage musicals.

Ellington was noted for his inventive use of the orchestra, or big band, and for his eloquence and charisma. His reputation continued to rise after he died, and he was awarded a posthumous Pulitzer Prize Special Award for music in 1999.

Explanation:

7 0
3 years ago
Read 2 more answers
Relacione a segunda coluna de acordo com a primeira, tendo em vista o
ELEN [110]

Answer:

a

Explanation:

4 0
3 years ago
HELP ME MAKE A SCARY STORY SCRIPT
bija089 [108]

Answer:

In high school my friends and I were messing around with a Ouija board one night. We had done it before and nothing remarkable had ever happened. We usually did it to try and scare each other or are girlfriends. We all thought it was a joke. That night there was no one else home except the 7 of us and we were all together around the board. One of the girls there wanted to try it. She had never done it before.

This time was different. The board misspelled some of the words the same way every time. It gave answers that seemed really historically accurate for our town (things we neither knew or cared about). Long story short, the “spirit” claimed it was a 10 year old boy who had died on the property in the 1800s and was buried there too in an unmarked grave (my friends house was on a farm in the edge of town). We were all a little freaked out because the board had never been so detailed and consistent. However, we were still skeptical and we were all assuming one of us was trying to scare the rest.

Finally, my friend asked if the spirit could do something to prove he was there with us. It went to Yes and then spelled out k-n-o-c-k. Then the planchette stopped moving. We just all stared at it silently and then there was a rap-rap-rap on the window right next to us. The lights were on outside and there was absolutely no one out there.

We never touched that f-ing board again.

Explanation:

3 0
3 years ago
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