Answer:
These rules can all be boiled down to the fundamental rule: Never move to a perfect consonance by parallel motion. Don't have anything larger than an octave between adjacent upper voices, meaning soprano-alto and alto-tenor. It is OK between the bass and tenor.
Explanation:
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Answer:
Dancers should use their eyes to connect with other dancers and the audience. "If they want us to focus on their pointe work, or if it's a romantic feeling in an adagio, then a downcast gaze is OK," says Ferrell. "Otherwise, we want to see their eyes." Standing at barre, dancers should look beyond the person standing in front of them.
Explanation:
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Answer:
<h2>pattern </h2>
Explanation:
<h3>in arts we have a elements of art one of that are pattern,logo doesn't make without pattern.</h3>
