If you were to argue that WWII is a continuation of WWI, you could cite the fact that Hitler's expansion of the German military and invasion of Poland (both events that started WWII) violated what was agreed upon in the Treaty of Versailles (written at the end of WWI). Additionally, since Japan felt that they did not receive what they deserved at the end of WWI, they had a thirst to conquer more lands, which of course added to WWII.
<span>The sentence beginning "There is within me (and with sadness I have watched it in others)..." is your answer. It shows that even though he loved Doodle, he did some things he regrets. He even sees this type of meanness in others and it makes him sad, which hints at his regret.</span>
No it’s not possible to be “fully prepared” you might have a plan when it comes to natural disasters but you never fully prepared for one
Many people in Twelfth Night assume a disguise of one kind or another. The most obvious example is Viola, who puts on the clothing of a man and makes everyone believe that she is a male. This disguise causes great sexual confusion, as a bizarre love triangle results in which Viola is in love with Orsino, who loves Olivia—who loves Cesario, the male identity that Viola assumes. Thus, by dressing his protagonist in male garments, Shakespeare shows how malleable and self-delusional human romantic attraction can be.
Another character in disguise is Malvolio, who dresses oddly (in crossed garters and yellow stockings) in the hope of winning Olivia. In his case, the change of clothing suggests his belief that altering his wardrobe can lead to an alteration of his social status. When he dreams of being Olivia’s husband, he imagines himself above all in a different set of clothes, suggesting that class and clothing are inextricably linked. Later, after Malvolio has been declared mad and has been confined to a dark room, Feste, pretending to be the fictional priest Sir Topas in order to deceive Malvolio, puts on a disguise—even though Malvolio will not be able to see him since the room is so dark. This scene is particularly suggestive: Feste’s desire to wear a disguise even though his victim won’t see it implies that the link between clothes and reality goes deeper than mere appearances. For Feste, at least, the disguise makes the man—in order to be Sir Topas, he must look like Sir Topas. Ultimately, then, Shakespeare raises questions about human identity and whether such classifications as gender and class status are fixed entities or can be changed with a simple shift of wardrobe.
Proofreading is what I would say I'm not sure what your answer choices are :)
