Answer:
Milliet and Van Gogh became friends in Arles.
Explanation:
The Zouaves were a group of light infantery in the French army. Milliet was in Arles to recover from an illness he contracted in French Indochina (Vietnam). The Dutch artist and the French lieutenant became friends and Vincent van Gogh painted a dazzling portrait of the future lieutenant-colonel with the distintictive red hat of the Zouaves. The painting can be seen in the Kröller Müller museum in the Netherlands.
An arch is a vertical curved structure that spans an elevated space and may or may not support the weight above it, or in case of a horizontal arch like an arch dam, the hydrostatic pressure against it.
The many forms of arch are classified into three categories: circular, pointed, and parabolic. Arches can also be configured to produce vaults and arcades.
<h3>Rounded/circular</h3>
Rounded/circular arches were commonly used for ancient arches that were constructed of heavy masonry. Ancient Roman builders relied heavily on the rounded arch to span great lengths.
<h3>The parabolic</h3>
The parabolic arch employs the principle that when weight is uniformly applied to an arch, the internal compression resulting from that weight will follow a parabolic profile. Of all forms of arch, the parabolic arch produces the most thrust at the base yet can span the greatest distances.
Therefore, the parabolic arch is more structurally sound.
learn more about arches from here: brainly.com/question/3836440
For instance, Emperor Qianlong is famous for his extensive collections of Chinese art, which superseded in scale even those of the Ming dynasty, but also for his preservation of Manchu heritage (through the commission of histories, genealogies, etc.) It was thus that the Qing dynasty was able to develop it’s art, not only through the preservation of Manchurian tradition, but through the assimilation of the culture of the nations they conquered. One can easily find portraits depicting the Qianlong Emperor as a Buddhist God in Tibetan fashion, the Yongzheng Emperor dressed as a Mongol, or even as a French Noble, etc.Naturally, as a result of the increasingly ubiquitous Western world, Chinese art would come to reflect its most prized aesthetic values: the most dominant of these, that was not present in the art of the “orient”, was realism
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