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During the Taiping Rebellion, the peasants rebelled. It was mostly a civil war which killed scores of people (twenty million people approximately). The movement was a millenarian movement (meaning it occurred because of religious ideology). The movement was led by Hong Xiuquan who claimed he was Jesus' younger brother. Hong Xiuquan wanted to instill social reforms such as collective property, equality for women and replacing Confucian, Buddhist, Daoist and Chinese folk religion with Christianity.
No. European countries wanted colonies because they wanted to gain more wealth. Gold and silver from the colonies made the countries richer. Another reason was for the raw materials that they needed for their factories. Getting raw materials from the colonies was much cheaper than buying from other countries. One more reason was the desire for land and power. Having colonies made replenishing supplies easier and in case of war, the colonies could be used as military bases.
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The Neo-Confucian theory that dominated Japan during the Tokugawa Period recognized only four social classes–warriors (samurai), artisans, farmers and merchants–and mobility between the four classes was officially prohibited. With peace restored, many samurai became bureaucrats or took up a trade. At the same time, they were expected to maintain their warrior pride and military preparedness, which led to much frustration in their ranks. For their part, peasants (who made up 80 percent of the Japanese population) were forbidden from engaging in non-agricultural activities, thus ensuring consistent income for landowning authorities.
The Japanese economy grew significantly during the Tokugawa period. In addition to an emphasis on agricultural production (including the staple crop of rice as well as sesame oil, indigo, sugar cane, mulberry, tobacco and cotton), Japan’s commerce and manufacturing industries also expanded, leading to the rise of an increasingly wealthy merchant class and in turn to the growth of Japanese cities. A vibrant urban culture emerged centered in Kyoto, Osaka and Edo (Tokyo), catering to merchants, samurai and townspeople rather than to nobles and daimyo, the traditional patrons. The Genroku era (1688-1704) in particular saw the rise of Kabuki theater and Bunraku puppet theater, literature (especially Matsuo Basho, the master of haiku) and woodblock printing.
Explanation:
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