Read the excerpt from Gelissen Rena's Promise: Two Sisters in Auschwitz. Thrown off balance, struggling to keep from falling int
o the abyss below, I plummeted out of reach. Rolling down the steep incline, I grabbed at tree branches to break my fall as they ripped the mittens from my hands. Biting my tongue, I splashed into a stream with no cushion but ice-covered boulders. The silence of the night shrank. Icy water crept into my clothes. Our ears pricked up for the sound of rudely woken dogs in the nearby kennels. There was the sound of water dripping off my elbows. Neither of us dared move or breathe. No dogs barked. Which best describes the impact of Gelissen’s decision to tell her story in memoir form
The action of a play is generally confined to a "world" of its own—that is, to a fictional universe that contains all the characters and events of the play—and none of the characters or actions moves outside the orbit of that world.
