The option B is true, as Durer's graphic output was so influential in both woodcut and engraving, that his prints became popular models for succeeding generations of painters.
<h3>Who was Albrecht Durer?</h3>
Albrecht Dürer was the greatest painter, mostly called as the greatest German Renaissance artist. He was no mean painter himself, producing a varied and articulate array of self-portraits.
Albrecht Dürer's remarkable woodcuts were created by printing blocks, typically carved from a fruit wood, onto a sheet of paper.
Hence, the option B woodcut is true as it was his famous art.
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Design, or the overall composition of the piece, largely influences the content, or the feelings created within the piece and felt by the observer.
His art is characterized by outlined or drawn imagery.
Achilles Painter, Athenian vase painter identified by and named for an amphora credited to him with a portrait of Achilles and Briseis. The amphora is now in the Rome Museums. His period of action corresponds with the Parthenon statues and with the government of Pericles. The Achilles Painter also is honored for his white-ground lekythos. The white-ground lekythoi are assumed to be the most trustworthy reference of data about great Greek paintings of the Roman period.
Pop art was a reaction to the nonrepresentational nature of abstract expressionism
Answer:
Explanation:
Surrealism, movement in visual art and literature, flourishing in Europe between World Wars I and II. Surrealism grew principally out of the earlier Dada movement, which before World War I produced works of anti-art that deliberately defied reason; but Surrealism’s emphasis was not on negation but on positive expression. The movement represented a reaction against what its members saw as the destruction wrought by the “rationalism” that had guided European culture and politics in the past and that had culminated in the horrors of World War I. According to the major spokesman of the movement, the poet and critic André Breton, who published The Surrealist Manifesto in 1924, Surrealism was a means of reuniting conscious and unconscious realms of experience so completely that the world of dream and fantasy would be joined to the everyday rational world in “an absolute reality, a surreality.” Drawing heavily on theories adapted from Sigmund Freud, Breton saw the unconscious as the wellspring of the imagination. He defined genius in terms of accessibility to this normally untapped realm, which, he believed, could be attained by poets and painters alike.
