Umm I think it is A..... u might want another persons feedback
Answer:
hm, i think it's to learn about him or her. and , i think it's informational
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Answer:
The first challenges to confront Frodo dramatize his inexperience. He is indecisive, delaying his departure from the Shire as long as possible even though he knows the task is urgent. He opts to risk the dangers of the Old Forest, nearly getting himself and his friends killed — twice. He behaves foolishly in Bree, drawing unnecessary attention to himself. And he gives in to the temptation to put on the Ring at Weathertop, making himself vulnerable to the Ringwraiths' attack.
Nevertheless, Frodo survives both the obvious dangers and his own mistakes. The novel attributes his success to two main factors. First, as Gandalf is fond of pointing out, hobbits are tougher than they look, and simple toughness — the ability to endure hardship and move past it — goes a long way in this struggle. Second, Frodo does not want and never sought the power of the Ring, meaning that he continues to resist its lure. Although he lapses momentarily at Weathertop, he reiterates his commitment to resist at the Ford of Bruinen. Heroism does not require perfection, only the aspiration to do good.
Explanation:
Answer:Shaw's play explores aspects of language in a variety of ways. Higgins and Pickering study linguistics and phonetics, taking note of how people from different backgrounds speak differently. In Act Three, we see the importance of proper small talk in a social situation. And the play also reveals some of the powers of language: Eliza's transformation is spurred simply by Pickering calling her by the name Miss Doolittle, while Higgins' insults and coarse language, which severely hurt Eliza's feelings, show the potential violence of language. The play is most interested, though, in the connections between a person's speech and his or her identity. As we see in the beginning of the play, Higgins can easily guess where people are from based on their accent, dialect, and use of particular slang. How different people speak the same language thus reveals a surprising amount about their identity. However, Shaw also exposes how shallow and imprecise this conception of identity is, how it doesn't actually capture or represent the full person. After all, Eliza's way of speaking transforms over the course of the play. Eliza is able to change her identity simply by learning to talk differently.
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