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This article is about Japanese theater. For American political pretense, see Kabuki dance. For other uses, see Kabuki (disambiguation).
Not to be confused with Noh.
The July 1858 production of Shibaraku at the Ichimura-za theater theatre in Edo. Triptych woodblock print by Utagawa Toyokuni III.
Onoe Kikugorō VI as Umeō-maru in Sugawara Denju Tenarai Kagami.
Kabuki is a classical form of Japanese dance-drama. Kabuki theatre is known for its heavily-stylised performances, the often-glamorous costumes worn by performers, and for the elaborate kumadori make-up worn by some of its performers.Kabuki is thought to have originated in the very early Edo period, when founder Izumo no Okuni formed a female dance troupe who performed dances and light sketches in Kyoto. The art form later developed into its present all-male theatrical form after women were banned from performing in kabuki theatre in 1629. Kabuki developed throughout the late 17th century and reached its zenith in the mid-18th century.
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<span>The era, Baptists, and Methodists consisted in general terms that Methodists baptize children, whereas Baptists only baptize adults and young people capable of understanding the faith. The Methodists perform baptism with immersion and pouring, while Baptists perform their baptisms only with immersion. The colonial congregational age and Calvinism referred to congregationalism as a form of ecclesiastical government rather than a doctrinal belief. Calvinism is a Protestant theological system and an approach to the Christian life that emphasizes God's authority over all things.</span>
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