It is the answer C. He is supposed to meet people to help his nerves
In an essay published in 1961, Robert Kelly coined the term "deep image" in reference to a new movement in American poetry. Ironically, the term grew in popularity despite the critical disapproval of it by the group's leading theorist and spokesperson, Robert Bly. Speaking with Ekbert Faas in 1974, Bly explains that the term deep image "suggests a geographical location in the psyche," rather than, as Bly prefers, a notion of the poetic image which involves psychic energy and movement (TM 259).1 In a later interview, Bly states:
Let's imagine a poem as if it were an animal. When animals run, they have considerable flowing rhythms. Also they have bodies. An image is simply a body where psychic energy is free to move around. Psychic energy can't move well in a non-image statement. (180)
Such vague and metaphorical theoretical statements are characteristic of Bly, who seems reluctant to speak about technique in conventional terms. Although the group's poetry is based on the image, nowhere has Bly set down a clear definition of the image or anything resembling a manifesto of technique. And unlike other "upstart" groups writing in the shadow of Pound and Eliot, the deep image poets-including Bly, Louis Simpson, William Stafford, and James Wright-lacked the equivalent of the Black Mountain group's "Projective Verse," or even, as in the Beats' "Howl," a central important poem which critics could use as a common point of reference. This essay, then, attempts to shed some light on the mystery surrounding the deep image aesthetic. It traces the theory and practice of Robert Bly's poetic image through the greater part of his literary career thus far.
Can you put a clearer pic?
Answer:
Insert appropriate question tags are the merits of democracy in the world table million in the world table million dollar amount of money to be the cuckoo and write a short paragraph about your wandering life style in the valleys and plains of the poem in a paragraph there will come soft rains in a sentence and differentiate between a direct and indirect object that is not reserved for all movies or any other type of reflection is called Regular Reflection
Answer:
The conversation between the children and the mathematical master means that children's dreams cannot be hindered by adults, even if they are frowned upon.
Explanation:
In this conversation, the children claim that they saw the happy prince who never thinks about crying for any reason. The mathematical master is intrigued and asks how the children saw this prince and they answer that they saw him in their dreams. The mathematical master disapproves of this, because he does not admit that children dream, but it is inevitable, because their dreams are unstoppable even if they are disapproved.
