2. What were classical Greek choruses like? Describe these choruses.

1 answer:

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Classical Greek choruses consisted of a group of actors who delivered lines in unison. Their lines in the play were usually a commentary on the action/plot of the play, and they acted as a stand-in for the audience.

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How does Delatour's portrait of Poisson differ from the other portraits?

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Fill in the blanks to make the equation true. (x−9)(x+2)= x^2________ −18

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1. performing a task unconsciously a free flow of images 2. Surrealists believed that artists needed to escape the oppressive co

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1. performing a task unconsciously = automatism: it means that you don't think about what you are creating, you just create - like brainstorming

2. Surrealists believed that artists needed to escape the oppressive control of = reason: surrealists created art which was not realistic, but something surreal, as their name would suggest

3. the first truly public museum = the Louvre, opened in 1793

4. Joan Miro used the poetic technique of = Action painting; it means that the images are created spontaneously, smeared or splashed onto the canvas

5. Miro’s paintings seem to have no structure; they are = a free flow of images; it means that the artist didn't have a specific idea in mind

6. Gertrude Stein had to flee Paris because she was = Jewish: she was a Jew living in Nazi-occupied France

7. Perfect modern artifact in Nazi eyes = the steel helmet: it was the first movie about war

8. Survived the London Blitz = Saint Paul's Cathedral: it managed to survive unharmed for the most part

9. The purpose of the art exhibition in Munich was to show = "degenerate" or inferior art: this art show is actually known as Degenerate art show

10. Art approved by Third Reich (Nazi Germany) included idealized images of = labor, maternity, and family life; these were the ideas that Nazi Germany wanted to promote

11. Miro’s Birth of the World was a precursor to = free association; it is similar to action painting Miro often used

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Answer: Cell versatile communication was acquainted with general society during the 1980s. In a phone framework, a geographic zone is broken into more modest territories, or cells, each with its own focal transmitter-collector. The cells are organized so the frequencies utilized in neighboring cells are unique, however explicit frequencies might be reused all through the framework.

As a guest moves starting with one cell then onto the next, the call naturally changes starting with one recurrence then onto the next, permitting a ceaseless voice or text association. Starting cell frameworks utilized simple innovation, yet from the mid 1990s mobile phones progressively depended upon advanced hardware, which enormously extended their capacities.

As utilization expands, cells can be isolated to diminish impedance, however just to a point. Along these lines cell interest for more recurrence range proceeds in the 21st century.

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