The gravity created Sun when 99% of the gas and dust materials we're gathered into the center of a flattened disc during the formation of the solar system.
- This is because the Sun is characterized to behave been formed through the following process:
- The nebula broke down under its gravity. Nebula is a combination of gas and dust.
- From the breakage of Nebula, the cloud spun and formed into a flat disk, then the sun subsequently formed at its center.
Hence, in this case, the correct answer is option C "Sun."
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Answer:
Según Sam W. Haynes, ¿cuáles fueron dos razones para la expansión de los Estados Unidos en
la década de 1840?
It would be "(2) creating the North Atlantic Treaty Organization (NATO)" that best illustrates the Cold War policy <span>of containment, since this organization represented a western "block" of countries that was meant to act as a counterbalance to the eastern "block" of communist countries. </span>
Answer: “Birth of a Nation”—D. W. Griffith’s disgustingly racist yet titanically original 1915 feature—back to the fore. The movie, set mainly in a South Carolina town before and after the Civil War, depicts slavery in a halcyon light, presents blacks as good for little but subservient labor, and shows them, during Reconstruction, to have been goaded by the Radical Republicans into asserting an abusive dominion over Southern whites. It depicts freedmen as interested, above all, in intermarriage, indulging in legally sanctioned excess and vengeful violence mainly to coerce white women into sexual relations. It shows Southern whites forming the Ku Klux Klan to defend themselves against such abominations and to spur the “Aryan” cause overall. The movie asserts that the white-sheet-clad death squad served justice summarily and that, by denying blacks the right to vote and keeping them generally apart and subordinate, it restored order and civilization to the South.
“Birth of a Nation,” which runs more than three hours, was sold as a sensation and became one; it was shown at gala screenings, with expensive tickets. It was also the subject of protest by civil-rights organizations and critiques by clergymen and editorialists, and for good reason: “Birth of a Nation” proved horrifically effective at sparking violence against blacks in many cities. Given these circumstances, it’s hard to understand why Griffith’s film merits anything but a place in the dustbin of history, as an abomination worthy solely of autopsy in the study of social and aesthetic pathology.
