Answer:
Record the line that the bottom of the meniscus touches.
Explanation:
He wants to get rid of the bicycle because it is broken and rusted. He is worried that his child may injure himself while riding it. He no longer needs a bicycle to help him make a living.
The tone of the fragment can be classified as straightforward because it is a direct message (option d).
<h3>What is the tone of a text?</h3>
The tone of a text is a concept that refers to the way in which the author wants to convey the message. Generally, the texts have different tones to add character to the text and motivate the reader to engage with the text.
<h3>What is the tone of the fragment?</h3>
To identify the tone of the fragment we must read it carefully, pay attention to the language it uses and identify if it has words that can give us clues of the tone.
Taking into account the above, it can be inferred that the tone of the fragment is straightforward due to the fact that the author does not use complex language. On the contrary, the language is simple, clear and literal so that the receiver and the reader understand the message.
Note: This question is incomplete because the options are missing. Here are the options:
- frustrated
- overjoyed
- proud
- straightforward
Learn more about tone in: brainly.com/question/23395598
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Answer:
از ترجیح دم که
Explanation:
دنون زانو کمر مچ رون چم ابرو از ترجیح دهم ام ای اشتن کو
The Shakespeare Stealer is a 1998 historical fiction novel by Gary Blackwood. Taking place in the Elizabethan-era England, it recounts the story of Widge, an orphan whose master sends him to steal Hamlet from The Lord Chamberlain's Men. If we skip the opening setting of Mistress MacGregor's orphanage, then the three settings of The Shakespeare Stealer are the rectory in "the nearby hamlet of Berwick"; the home of Mrs. and Dr. Timothy Bright, a medical practitioner who had studied at Cambridge and who was also the rector of Berwick; Simon Bass's home in Leicester; and the city on the Thames, London City, home of the Globe Theatre.
