<h3>I. Rewrite these statements in the correct order.</h3>
- Lorena is not cooking spaghetti.
- Is Lorena cooking now?
- What is Lorena cooking right now?
- Aren't we studying French at the moment?
- I am not sleeping right now.
<h3>II. Choose the best option.</h3>
- b) am
- c) dancing
- c) aren't
- a) Are
- a) are fighting
<h3>III. Complete with Do/Does.</h3>
- <u>Does</u> Thomas Cook every day?
- <u>Do</u> you and Thomas clean the rooms?
- <u>Does</u> it work once a week?
- <u>Does</u> Lorena work at nights?
- <u>Do</u> they watch news on TV twice a week?
<em><u>Hope this helps you...</u></em>
<em><u>Hope you have a nice day ahead...</u></em>
<em><u>Espero que esto te ayude...</u></em>
<em><u>Espero que tengas un buen día por delante..</u></em><em><u>.</u></em><em><u>.</u></em>
The answer would be A: A labeled diagram of a car engine. This would show the viewers what each part is and where it goes in order to rebuild the engine.
Answer: One fact is that a simple sentence Is just the basics of a sentence, the bare minimum, but a compound sentence is two sentences combined with a and, but or comma.
Explanation:
Example: I like pizza. I like ice cream.= I like pizza and ice cream. I like pizza, but also ice cream.
monument to the heroic ideals of New England life, which are jeopardized in the present just as the statue itself is shaken by urban renewal.Images of black children entering segregated schools reveal how the ideals for which Shaw and his men died were neglected after the Civil War. The poem’s final stanzas return to the aquarium. The poet pictures Shaw riding on a fish’s air bubble, breaking free to the surface, but in fact, the aquarium is abandoned and the only fish are fin-tailed cars.This poem is a brilliant example of Lowell’s ability to link private turmoil to public disturbances. The loss of childhood in the early section of the poem expands to the loss of America’s early ideals, and both are brought together in the last lines to give the poem a public and private intensity.The poem is organized into unrhymed quatrains of uneven length, allowing a measure of flexibility within a formal structure.