Answer:
C. Experts disagree about whether online writing has helped or hurt students' writing skills overall
Explanation:
Option C is the best option that synthesizes information from both sources.
This is true because in Source 1, we see that Nakamura actually pointed out that the internet has affected the writing skills of students. But in Source 2, Linda Idris tends to disagree with that. Idris tend to point out the positive impact that online writing has made in students.
We then discover that there tends to be a disagreement from both sources about whether truly online writing has helped or hurt students' writing skills overall.
Answer:
1. She should capitalize "two" because it is an adjective.
Explanation:
The above is the change that would be correct. In capitalization of titles, it is important to note that the first and last words of the title should be capitalized. Also, all nouns, pronouns, adjectives, verbs, and adverbs should be capitalized. Articles (a, an, the), prepositions and coordinating conjunctions should be lowercased.
When "two" is used to modify a noun/noun phrases or pronouns, they act as adjectives. The "two" should be capitalized because it is an adjective, modifying the noun "Paths".
Cultural images and myths are nothing new, of course. Every culture has them. They provide a kind of glue that simultaneously helps to bond disparate people together into a unified whole and also helps explain and give order to a sometimes chaotic and confusing world. And Luce was hardly the first or only promoter of contrived or idealistic images.
The idealistic image of a "hero" goes as far back in time as civilization itself, because each civilization and culture needed role models to teach their young what they should aspire to become. During the Depression and World War II, Norman Rockwell's images of American home life -- and his "Four Freedoms" series in particular -- helped remind weary Americans what they were fighting to preserve -- and raised millions in war bonds.
In act III, scene iii, Claudius is kneeling in prayer when Hamlet finds him. He doesn't kill him, even though he has the perfect opportunity, because "Now might I do it pat, now he is praying;/And now I'll do't./And so he goes to heaven;/And so am I revenged. That would be scann'd:/A villain kills my father; and for that,/I, his sole son, do this same villain send/To heaven."
<span>In the next scene, Hamlet mistakes Polonius hiding behind the arras for Claudius. Unlike, scene iii, he's not in prayer, so there is no similar worry about whether he'll go to heaven. </span>
<span>Throughout the play, Hamlet seems to have this inner conflict over whether revenge is the 'right' thing to do. And what comes after death from a Christian perspective, depending upon how a person meets their end. It's something that is dealt with in more detail in the 'to be or not to be' speech and the 'gravedigger' scene. </span>
<span>Hope that helps!</span>
