First of all, the setting is enhanced by a stark contrast between two images that are put into the equation. The first image represents a bleak, gloomy picture of anonymous faces deep beneath the ground, in the Metro station, waiting for their train to come. The second image suddenly brings us somewhere else - into nature, with hints to the bleakness of the first scene ("wet", "black"). The setting of this short, modernist haiku poem is a big city with all modernist fascination by its crowded scenes, dynamics, and alienation. It's like the speaker froze the image, the people's actions and movements at this crowded place on a busy day. But it's not the speaker's influence; it's their very act of passively waiting for the train. By introducing the glimpse into nature, Pound made a counterpoint that provides an entirely new and fresh perspective on the city scene. Another modernist element is the use of language - everyday language, unadorned, free of all formal restraints, direct ("these") and simple. It also enhances the setting of the poem because it fits into the city context.
One of the most important things in literature is appearance. Whether it is how someone portrays their characters in there book or how they portray there story as a whole, appearance makes literature. The way you look and carry yourself creates an impression on others, appearance in literature becomes a huge thing in character development and usually someone’s character traits determine who that character will be.
When a sheet says that, it means that the word is what the appositive is discribing.
Answer:
kids that are younger dont know as much and talk way different than older people who have been through more things