The part of the dictionary entry that provides information about the origin of the word extravagant is, 'Middle English < Medieval Latin extrāvagant- (stem of extrāvagāns), present participle of extrāvagārī, equivalent to extrā- extra- + vagārī to wander.'
<u>Explanation</u>:
It was during the 1350-1400 that the word extravagant was derived from the Latin word 'extrāvagant' which is a stem of extrāvagāns. The present participle of this word is extrāvagārī, if we find out the meaning of this word it is extra+vagari which means to wander. So extravagant basically means spending much more than what is necessary, spending an extra amount towards something. It also means going beyond what is actually required.
Answer: The Complete Persepolis is a graphic memoir by Marjane Satrapi that describes the author’s childhood experience in Iran during and after the Islamic Revolution of 1979 and her early adulthood after she graduates high school in Austria and returns to Iran. As a result of the restrictions placed on Iranian women by the supreme spiritual leader Ayatollah Khomeini, many Iranians demonstrated in the streets and rebelled against the Islamic Republic (“History of Iran”). Marji, the protagonist, has a distinct childhood experience in the time of revolution, experiencing extreme psychological struggle under the influence of the political and social upheavals in Iran. Marji’s internal struggle follows her from a very young age through her adult life, which corresponds to memoirist Mary Karr’s “inner enemy” theory explained in her book The Art of Memoir. Karr theorizes the inner enemy as “a psychic struggle against the author’s own self that works like a thread or plot engine” as well as one of the key components of a great memoir (Karr 91). Based on Karr’s theory, what is the role of Marji’s inner enemy in The Complete Persepolis? Why does she confront such an internal struggle, and does she resolve her inner conflict by the end of book? By exploring these questions, we can better understand the central idea of Satrapi’s memoir as well as Karr’s theory and the mechanism behind a graphic memoir. It also provides readers with a distinct and profound perspective to trace the history of Iran and the impact of the revolution on the Iranian people, especially on Iranian women. Marji’s desire for freedom and her courage against authority, which are cultivated under the Westernized education she receives from her parents, make her incompatible with the society constrained by Islamic traditions and consequently lead to her inner conflict. Even though the inner conflict acts as a significant obstacle in Marji’s childhood, she successfully overcomes it and achieves self-approval before she leaves Iran for France as an independent adult, which indicates the final resolution of her inner conflict.
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Explanation: "Man vs Nature" conflict is an indispensable element of all the genres of literary writing and even in our real life. However, the sources of the conflict keeps varying from text to text. The setting of this conflict in the literary works are often cited as the battle between the two. In the beginning the <em>relentless pursuit of power and agony by the characters make them forget that "nature always fights back" and shows its resistance as it acts a force marring the humans from attempting misdeeds.</em>Then towards the end, there is a confrontation of the character and the nature for their certain hostile actions and later overcoming from the disastrous consequences of the battle in order to restore the world. Some of the classic illustrations of this conflict are <em>"The Fault in the stars",</em> <em>"Scarlet Ibis", "Lord of the flies", "Doctor Faustus", </em>etc. In these works, the nature is shown as the supreme and extreme force retaliating the dangers caused by hostility of the characters and make them bear the effects of these actions and at last restore it for bringing peace to their world.
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