The nile is your answer to this question
        
             
        
        
        
Answer: Their deep knowledge of culture and the arts
Explanation:
Qian Xuan began as an aspiring scholar-official but eventually gave up his career in civil administration. Qian Xuan's eventually devoted his life to painting, which he became notable for.
The Chinese artist Qian Xuan was part of a group known as the scholar-painters, who were known for their deep knowledge of culture and the arts. When the Mongolian government was formed, Qian Xuan turned to painting after he abandoned his goal to become a scholar-official. It should be noted that the scholar official were the educated bureaucrats who were in charge of governing China. He was among the group of artists called literati or scholar-painters. These artist were vast and deeply rooted in arts and Chinese culture.
 
        
             
        
        
        
THE SYMMETRY
The architecture was to express this concept through perfect symmetry, harmonious proportional relationships, and the translucent white marble facing which gives the purity of the geometrical and rational planning the desired unworldly appearance. The mausoleum is raised over an enriched version of the nine-fold plan favoured by the Mughals for tombs and garden pavilions.
A variant is used in the great gate. In the mausoleum the plan is expressed in perfect cross-axial symmetry, so that the building is focused on the central tomb chamber. And the inner organization is reflected on the facades, which present a perfectly balanced composition when seen from the extensions of the axes which generate the plan.
Bilateral symmetry dominated by a central accent has generally been recognized as an ordering principle of the architecture of rulers aiming at absolute power, as an expression of the ruling force which brings about balance and harmony, 'a striking symbol of the stratification of aristocratic society under centralized authority'. A symmetric grading down to the minutest ornamental detail, particularly striking is die-hierarchical use of colour. The only building in the whole complex entirely raced with white marble is the mausoleum. This hierarchic use of white marble and red sandstone is typical of imperial Mughal architecture !
        
             
        
        
        
Coming from a violinist it would be taking piano lessons.
        
                    
             
        
        
        
 Blocking<span> is the precise staging of the </span>actors<span> in order to facilitate the </span>performance.