It is feautrured in Songs of Experience because the poem talks about the experience of a tiger. It is a suspense poem. Indeed, the life of a tiger is full of suspenses. The poem's opening lines are:
<em>Tyger Tyger, burning bright,
</em>
<em>In the forests of the night;
</em>
<em>What immortal hand or eye,
</em>
<em>Could frame thy fearful symmetry?
</em>
The poet praises the the qualities of the tiger by asking questions without answering them. In the remaining lines of the poem, the author continues praising the perfectness of the animal, calling it dark craftsmanship. The thought-provoking point is about the comparison between <em>The Tyger</em> and the previous poem <em>The Lamb </em>which the poet himself doubts that the same God could create innocent spirit like a lamb and such a fierce animal like tiger at the same time. or it could be interpreted as God's different expressions showing his kindness in the face of lamb and his anger in the qualities of tiger.
Yeah she ugly any way block her. Yes
Answer:
1=gets the audience attention
2=Gives audience a reason to listen
3=begins with in addition or next
4=A quotation that illustrates your overall point
5=invites the audience to listen
Explanation:
1. Would be third-person.
No we, I, us, etc.
Answer:
:'( Why did you leave my fantasy story......
Explanation:
In Hunt’s (The Seas ) overstuffed and uneven novel set in New York, circa 1943, an aging Nikola Tesla lives at the Hotel New Yorker and cares for (and chats with) pigeons while planning what could be his boldest invention yet. He forges an unlikely friendship with Louisa Dewell, a 24-year-old chambermaid at the hotel who also keeps a pigeon coop. The book alternates between Niko’s reminisces of turn-of-the century Manhattan and Louisa’s current domestic dramas; Niko revisits old grievances concerning the usurpation or dismissal of his many inventions, and Louisa gets ensnared in her zany father’s mission to travel back in time and reconnect with his dead wife via a time machine built by his lifelong friend Azor Carter. Assisting in the scheme is Louisa’s mysterious beau, Arthur Vaughn, who may or may not be from the future. Although many events are drawn from Tesla’s life, he and his peers, including Thomas Edison and John Muir, are cartoonish. Likewise, the city backdrop is drenched in rosy nostalgia (even Hell’s Kitchen is a quaint neighborhood). Each individual plot thread has potential, but the cumulative effect is dulled by an unwieldy structure.
