The author characterize the response of the White Planters by not supporting the event.
<h3>What is White Planters?</h3>
White Planters were the social class of the United States who were socio-economic caste that were in huge number around 17th and 18th century.They were found in the agricultural markets through the slavery of African Americans.
Allen D. Candler makes every justification imaginable for the lynching of Sam Hose by the white planters, he does not truly support it.
He portrays the lynch mob as a group of guys whose patience had run out in the wake of a brutal murder.
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1. Avicenna
Avicenna was a Persian polymath who was one of the most significant physicians, atronomers, thinkers, and writers of the Islamic Golden Age. He wrote the medical materpiece, "The Canon of Medicine," which influenced European medicine. It become the standard in medical universities and was used until 1650.
2. Averroes
Ibn Rushd, also known as Averroes, was a Muslim Andalusian philosopher and thinker. He thought about many subjects, such as philosophy, theology, medicine, physics, law, and linguistics. In his philosophical work, he wrote about the ideas of Greek philosophers Plato and Aristotle. He attempted to restore the original thinkings of Aristotle.
3. Maimonides
Moses ben Maimod, commonly known as Maimonides, was a Sephatic Jewish philosopher. He specialized in the study of the Jewish Torah and was one of the most influencial Torah scholars of the Middle Ages.
B T<span>he </span>Speaker<span> acts as leader of the House and combines several roles</span>, and t<span>he U.S. Senate is presided over by the Vice President. In the absence of the Vice President, a senator designated the </span>President Pro Temper presides.
John Hancock was the leader of the colonists. He was appointed as an interim president during the continental congress. He led the colonists through the revolutionary war. He has the largest signature on the Declaration of Independence.
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The Harlem Renaissance was the development of the Harlem neighborhood in New York City as a Black cultural mecca in the early 20th Century and the subsequent social and artistic explosion that resulted. Lasting roughly from the 1910s through the mid-1930s, the period is considered a golden age in African American culture, manifesting in literature, music, stage performance and art.
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