1. tear a newspaper. rip it into strips not very tiny pieces but just strips. What you shouldn’t do is cut it and just do it individually shaped as a strip. 2.Then you dip the newspaper one at a time into making it a paper mache. 3. Basically you need to mix the substances which are (water and glue mixed) 4. Then you need to find a form in which suits you the most when you’re making a paper mache. I’ve done this before and the results are remarkable!
Answer:
Areas of real beauty - this case of inspirational content can most frequently be observed in the work of naturalist-artists, and the impressionists. Large aspects of water such as seas and rivers are especially preferred.
2) Notable others - the notable others of experts have highlighted prominently in art, both in traditional art and more recent works. To see how these people who profoundly affected the lives of others are recreated as a muse is incredibly interesting.
3) Current events - Artists often aim to follow political events or circumstances that are occurring right now in the world, so as to add their own voice and scene into the conversation.
4) Self-portraits - It's always interesting to see how any individual views themselves, especially when their musical talent enables us to see not only their view of themselves but to reconsider how we view ourselves.
Of these four examples of subject matter, I am personally most drawn to art that features events that were/are current.
Explanation:
Answer:
Here
Explanation:
Greek theatres the seating was arranged in a semi-circle and curve down into the centre following the natural shape of the hillside. There are many modern theatres which are arranged in this way however many have the whole audience directly opposite the stage like in a cinema
1. Theatricality and drama. Monteverdi is the pioneer of opera as a dramatic fusion of music and text. Caravaggio's paintings are extremely dramatic and even theatrical. The faces are expressive, and never in a conventional way - they are angry, bored, sexually aroused, corrupt, decayed. It is never a passive representation of a scene. It is always brimming with drama.
2. The strange mixture of sacred and profane. Caravaggio used street hoodlums for models when he painted sacred scenes (e.g. The Calling of St. Matthew), and he painted courtesans in a dignified manner. Monteverdi's Poppea ("L'incoronazione di Poppea") is a courtesan lover of Nero, the Roman emperor. The two of them have extremely passionate and sensual duets together, including the tender "'Pur ti miro" at the end of the opera.
3. Music as inspiration. Caravaggio often painted musicians with lutes and other instruments. Monteverdi not only composed opera, but composed opera about music - his L'Orfeo is a piece about the sheer power of music and its impact on the world.
4. Fascination with dark corners of human psyche. Caravaggio obsessed over irrational, wicked, flawed personalities. Monteverdi also puts them in the center of all his major works. Even though he is a half-god, his Orfeo is very flawed and might even be considered weak, as he errs all the time. His Nero is extremely depraved. Even his madrigals couldn't just be simple love songs - they are called "Madrigali guerrieri et amorosi" - "Love and War Madrigals".
