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O barroco é uma arte e arquitetura europeia dos séculos XVII e XVIII. A união das artes da arquitetura, pintura e escultura para subjugar o espectador com temas ornamentados e altamente dramatizados. O estilo teve origem em Roma como instrumento da Igreja e se espalhou pela Europa em criações monumentais como o Palácio de Versalhes. O cubismo é um movimento francês do início do século 20, marcado por um afastamento revolucionário da arte representacional. Pablo Picasso e Georges Bracque penetraram na superfície dos objetos, enfatizando formas geométricas abstratas básicas que apresentavam o objeto de vários ângulos simultaneamente.
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Baroque is a European art and architecture of the 17th and 18th centuries. The union of the arts of architecture, painting, and sculpture to overwhelm the spectator with ornate and highly dramatized themes. The style originated in Rome as the instrument of the Church, it spread throughout Europe in such monumental creations as the Palace of Versailles. Cubism is early 20th-century French movement marked by a revolutionary departure from representational art. Pablo Picasso and Georges Bracque penetrated the surface of objects, stressing basic abstract geometric forms that presented the object from many angles simultaneously.
They will link with each other
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Rembrandt Harmenszoon van Rijn (July 15, 1606 ? October 4, 1669) was a Dutch painter and etcher. He is generally considered one of the greatest painters and printmakers in European art history and the most important in Dutch history. His contributions to art came in a period that historians call the Dutch Golden Age.
Having achieved youthful success as a portrait painter, his later years were marked by personal tragedy and financial hardship. Yet his drawings and paintings were popular throughout his lifetime, his reputation as an artist remained high and for twenty years he taught nearly every important Dutch painter. Rembrandt's greatest creative triumphs are exemplified especially in his portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible. The self-portraits form a unique and intimate biography, in which the artist surveyed himself without vanity and with the utmost sincerity.
In both painting and printmaking he exhibited a complete knowledge of classical iconography, which he molded to fit the requirements of his own experience; thus, the depiction of a biblical scene was informed by Rembrandt's knowledge of the specific text, his assimilation of classical composition, and his observations of the Jewish population of Amsterdam. Because of his empathy for the human condition, he has been called "one of the great prophets of civilization.
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I believe it’s diminishing detail, Sorry if I’m wrong
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