Answer:
Our own assumptions of artifacts, based on what we already know
this is the possible answer I could think of hope it help though :))))
Explanation:
Vincent van Gogh (Dutch, 1853-1890), The Poplars at Saint-Rémy, 1889. Oil on fabric, 24¼ x 17 15/16 in. The Cleveland Museum of Art; Bequest of Leonard C. Hanna, Jr., 1958.32
A recent trip to south Florida occasioned what has become a routine sojourn for me, a stopover at the Norton Museum of Art.
At the Norton, van Gogh’s The Poplars at Saint-Rémy is overwhelmed twice, first by its ornate antique frame, then by its installation on the third floor. Softly lit, it inhabits its own grey-painted gallery, a pearl in an oversized jewel box. It doesn’t help that the landscape’s colors are relatively sedate for a late van Gogh, relying on white to suggest terrain bleached by sunlight. The central two poplars are enclosed within a diamond-shaped design circumscribed by skyline above and crossing diagonals of rock-strewn land below. It is an inherently unstable composition, harmonized by color, the blue sky repeated in ground plane shadows and the blanched earth tones picked up in clouds. There is perhaps no way to write about van Gogh’s brushwork, idiosyncratic and instantly recognizable, without resorting to banalities; suffice to say that his sense of urgency demanded an entirely novel handling of paint. The Poplars at Saint-Rémy was made in a single session, a feat of compressed intensity.
Sharing a gallery with two other works by the artist, Degas’s Portrait of Mlle. Hortense Valpinçon resides more comfortably in its ground floor setting. The story of its production is no less remarkable than that of the van Gogh; leaving Paris during the barricades of 1871, Degas arrived at the Valpinçon country home without a canvas, and apprehended some mattress ticking upon which to paint his friend’s nine-year-old daughter. She leans into a sideboard and surveys us with unusual self-possession for one so young, holding in her right hand what has been variously described as a slice of fruit or a coin.
hope it helps
The first and the Ancient art is prehistoric art that are petroglyphs (cupules), which was appeared throughout the world during the Lower of Paleolithic
Ancient art refers to the many types of the art produced by the advanced cultures of the ancient societies with the some form of the writing, such as those of the ancient of the China, India, teh Mesopotamia, Persia, Palestine, the Egypt, the Greece, and the Rome. Art from the past holds clues to the life in the past. By looking at the a work of the art's symbolism, colors, and the materials, that we can learn about the culture that produced it. For example, the two portraits above are all the full of the symbolism referring to the virtues of an ideal marriage during the fifteenth of the century.
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In the modern age, it depends on who the person is and how they feel, and basically what they believe in
