Blocking off the balcony, altering the decor of the space to add light and colour, or closing off the rear of the orchestra are all ways that scenic designers can alter theatre space and design.
<h3>Description About
architecture of a
theatre space</h3>
The architecture of a theatre space can be changed by designers to produce a new arrangement or configuration.
The architecture of a theatrical space can occasionally be changed by scenic designers to produce a new arrangement or configuration.
Balconies may be sealed off or the orchestra's back section may be closed if the auditorium is too big for a particular play.
Additionally, the decor can be changed. For example, in a room that is typically formal and muted, bright colours, banners, and strong lighting could create a celebratory environment.
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Answer:
Because more than just a building, an architectural structure is a human expression. So, it must reflect the conceptions, not only of the time but the author as well. When an architect is projecting a building, he must think about how the audience would look at it, and the feelings they will have. A good example is the Gothic cathedrals.
Explanation:
Well, now let's see.
The architects who project for example the Notre Dame Cathedral were influenced by the art of their time (the Gothic, in this case). So, the structure they were rising should contain elements of this style, such as complex decoration, stained glass, statues ornamenting the entrance, the idea of reach the skies represented by the building's height, the flying buttress on the structures, and several other elements. And when people look at the final building, they will feel fear, respect, moderation and many other feelings. But these feelings were possible, ONLY because the architect thought about what he would put on the structure.
the answer is 80
you divide 64 by the numerator, 4, which gives you 16, which you then multiply by the denominator, in this case it is 5, 16 x 5 equals 80.
