We can combine the elements of "The Crucible" with the elements of Red Scare/McCarthyism as follows:
- A. Witchcraft = 6. Communism
- B. Abigail Williams = 4. Senator McCarthy
- C. The Devil's Book = 1. Blacklist
- D. Salem Courts = 2. HUAC
- E. John Proctor = 3. Arthur Miller
- F. Hysteria = 5. The Red Scare
- G. The Forest = 8. The Soviet Union
- H. Accused Witches = 7. Suspected Communists
We can arrive at this answer because:
- Arthur Miller, the screenwriter of "The Crucible" wanted to write a story that represented the moment of collective madness that was manifesting in the USA, due to fear of communism.
- This wave of dread and madness was established by Senator McCarthy who started a wave of accusations from people involved in communism in the same way that Abigail Williams accused people of accusing people of witchcraft in play.
- People accused of communism, who were tried by HUAC, are represented by people accused of witchcraft, who were tried by Salem Courts.
- The Soviet Union was considered the cradle of communism and in the play, the forest was considered the place where witches arose.
- For this reason, people became hysterical in fear of communism, just as in play people became hysterical in fear of witchcraft.
- People accused of being involved in communism went into a kind of blacklist, just like in the play, where people accused of witchcraft are believed to have their name in the devil's book.
Arthur Miller set himself up as a play character, played by John Proctor, who tried to report on the abuses caused by Abigail, but ended up being heavily punished.
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Normally a grabber then a thesis statement
C) thoughtful
Explanation:
The other answers don’t make sense
Dangerous, his intention was never to hurt or harm the swan
Clumsy, he didn’t get trapped in the thorns
Selfish, he didn’t walk away from the cries
Multiple people have agreed to work for universal respects for human rights and fundamental freedoms
Answer:
the unconscious
Explanation:
According to "The Negro Artist and the Racial Mountain," one powerful way that the standard of whiteness affects African Americans is through the unconscious.
The author spoke about how the black man was already pre-conditioned to believe that all things white was meant to be virtuous and good and how it subconsciously impacted them into trying to be like the white man and write like him.