According to Aristotle, both tragedy and epic are forms of imitation. Tragedy imitates directly by means of mimesis and epic both directly and indirectly by means of mimesis and diegesis. While epic imitates solely by means of words, tragedy also imitates by means of spectacle. Both epic and tragedy portray people better or greater than the average spectator, unlike comedy which portrays people as worse than they actually are and uses humour to dissuade us from acting badly (Aristotle's lost treatise on comedy may be summarized in the Tractatus Coislinianus; see also Eco, The Name of the Rose for interesting view of Aristotle on comedy)
Due to practical constraints of production, tragedy ideally has a single unified action which is often restricted to a specific time and place. and a small n umber of characters, while epic has a broader scope of coverage.
Answer:
Explanation:
True.
What one says can make an enemy sympathizer happy to hear. A mother could talk about the socks she's knitting for you grandson, a father could talk about the truck's engine being hard to start (with no other details), but it was forbidden to talk about things that give away troop movements or anything that might be useful to the enemy. They would love to know that there were ships leaving the Baltimore harbor. The submarines would be there waiting for them.
In some cases it would be considered to be treason to divulge certain information, so your freedom of speech is severely limited.
Answer: He was an explorer
Explanation: Christopher Columbus was an Italian explorer who was commissioned by the monarchs of Spain to find a new route to India.
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