Theme of envy: As a descendent of Cain, Grendel is the biblical son of Adam and Eve, who out of jealousy kills his brother Abel (Genesis 4). He is eternally doomed. Grendel's response in envy to Heorot's light filled and happy celebrations. The scops "Song of Creation" reminds him of the loss he suffered because of Cain's sin and makes him angry and seek for revenge from him stemming envy.
Theme of revenge: The central theme of revenge serves as motivation to many characters. Grendel delights in revenging Heorot as he hates about other men success, glory, joy and favor in the eyes of god.
Grendel's mother avenges Heorot against her son's death, motivated by mother's fury.
The dragons embark revenge against fugitive slave for theft from his hoard of treasure by raiding the countryside and burning the Beowulf's home to which Beowulf seeks revenge against dragons for the destruction caused.
Most involved violence, required the intervention of government militias or troops, and ended only after government intervention
The recurrence of words and phrases for a specific effect
When Mr. Beuller ignores embarrassing Victor, the boy is somewhat confused by this action. But later, Victor thinks of the teacher as a “good guy”. This action of his tutor boosts him with enormous confidence. The shaky Victor portrayed in the start of the prose fully develops at the end of the story because of the mature behavior of Mr. Beurelle. He is filled with motivational thoughts and optimism which help him get out of the confusion of choosing a new language and doubting his own capability. He also inculcates more confident in speaking with Teressa, at the end.
This proves that if sane behavior and mentality runs through the society, every lazy and unwilling person can be turned up into a workaholic maniac. Everyone requires an individual to guide him/her the path of life, which was very well illustrated through the author’s creation. The thoughtful action by the teacher resulted in Victor choosing three books to learn French that day.
Answer: I think of Hamlet's changes as more of a wavy line--moving up and down--than abrupt turnarounds. After the Ghost speaks to Hamlet, he is steadfast in his desire for revenge, and then he wavers. He gets "proof" that Claudius did, indeed murder the king--and then he wavers. The soliloquies are, indeed, the evidence of those waverings.
Explanation: :)
