1. “I-I-I don’t know what you mean!”
2. “We need to paint everything-the window frames, the doors, the walls.
3. “Next week-how I dread it!”
4. “You know the guy across the street-you are not even hearing me.”
5. “The doors, the windows, the tile-they were all broken by the storm.
6. “They waded in the upper river-a waste of time!”
7. “We had many things to handle for the trip-buy tickets, get passports, pack, arrange for the animals.”
8. “We-we-we shouldn’t be in this warehouse.”
9. “That show-what a thriller!”
10. “Have you met my girl-my best friend and forever companion?”
Answer:
Chiune-Sempo Sugihara, a Japanese career diplomat, arrived in Lithuania in 1939, when the country was still independent. They made a play out of his life and this is the theme. :) I hope this helps (:
Answer:
Informal and conversational
Explanation:
When women found out they could domesticate plants, their lives became easier so they began to take on house roles like cooking and cleaning, meanwhile the men were out hunting and taking leadership roles
In Greek mythology, Midas is a king obsessed with wealth. He asks the gods for the ability to turn anything he touches to gold. The gods grant his wish, and Midas soon realizes this gift is actually a curse. Chesterton uses the story of Midas as an analogy for chasing materialistic success. Much as the authors worship material wealth and pursue it as if it were attainable, Midas learns that his new ability doesn’t help him succeed because it prevents him from performing necessary tasks such as eating. Chesterton reminds readers of the obvious moral of Midas's story and shows that authors who write about success often misinterpret Midas's story—sometimes by using phrases such as "the Midas touch" in a positive light.
Chesterton emphasizes that King Midas is an example of foolishness and failure. He implies that, for the same reason, writers who encourage people to chase material success share Midas's foolishness:
We all know of such men. We are ever meeting or reading about such persons who turn everything they touch into gold. Success dogs their very footsteps. Their life's pathway leads unerringly upwards. They cannot fail.
Unfortunately, however, Midas could fail; he did. His path did not lead unerringly upward. He starved because whenever he touched a biscuit or a ham sandwich it turned to gold. That was the whole point of the story . . .
