I think that Alexander Pope cared a lot about the people who were the real-life subjects of his poem, because, otherwise, why would he even care to write a full poem about it if he didn't mind about this topic. It was after he published this specific work that people, his subjects, opened their eyes and realized about an important issue.
Pope's tone is lovingly taunting of the shortfalls of the high societies, and his mind, similar to the Baron's scissors, has a twofold edge. He extols the well-off and affronts them, however, he does as such in such an adjusted route, to the point that it isn't clear which see is generally noticeable. This equivocalness guarantees that the gathering of people individuals—the very focus of his mind—will be befuddled, not knowing whether to feel complimented or offended by this portrayal of their technicality. The segments in the content that appear to be most disparaging of society are found in the starting sections, where Pope remarks unreservedly on subjects, for example, legislative issues and the law. Despite the fact that Pope might not have loaned much weight to the senseless fight that roused this work, he probably looked after the general population included.
Tom Robinson he was a black man that was accused of raping Caucasian woman, and an idealistic lawyer offers to defend him. Which makes nobody believe in the innocence of a negro.
