I think it is the last one where the ankle got hurt because for me instead of reading what the character had self esteems about, I would rather get something to stop the player from playing the game to see what happens and the story be more of a page turner than me actually reading and kind of predicting what will happen next.
Answer:
Summary:
Explanation:
A grandmother and her granddaughter are inside making a snack and some tea. To kill some time while the water boils, they read the almanac and make jokes out of what they find. Even though the grandmother is laughing, it seems she is upset about something, because she's trying to hide her tears.
At this point, both the grandmother and the grandchild seem to disappear into their own private thoughts. The grandmother thinks how her sadness might be connected to the time of year, and the child is distracted by the condensation forming on the teakettle. While the grandmother tidies up—hanging the almanac back on its string, putting more wood on the stove—the child draws a picture of a house and a man "with buttons like tears" to show to her grandma.
The poem ends in a pretty imaginative way, with the almanac dropping imaginary moons from its pages into the flower bed of the kid's drawing, then saying "time to plant tears"; the grandmother singing to the stove; and the child drawing another scribble of a house with her crayons.
The structural element used in both stories is the inclusion of a flashback about an event (option D) The use of it might be to portray each protagonist´s experience, in the case of "Ambush" the narrator situates his experience in <span>Vietnam between related events that take place after the war. And in "facing It" the narrator recalls the Vietnam War. </span>
Answer:
Does a deferred dream shrink and wither?
Explanation:
The above is true due to the fact that <em>dry up like a raisin in the sun can be liked to a dream that shrinks and withers.</em> That is, the dream does not come true, but rather is lost forever due to unfortunate incidences.
