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Firdavs [7]
3 years ago
8

Who was a painter, sculptor, architect, engineer, scientist, philosopher, and a visionary? This person was commissioned by the d

uke of Milan to create a huge bronze statue of his father on a horse. Leonardo da Vinci Donatello Sandro Botticelli Lorenzo Ghiberti
History
2 answers:
Dmitry_Shevchenko [17]3 years ago
8 0

Answer:

Leonardo da Vinci

Explanation:

Leonardo da Vinci was an italian painter, sculptor, architect, engineer, scienteist, phillosopher and visionary, he painted the Mona Lisa and designed an early model of an helicopter, as well as many others discoveries and inventions, he was commissioned by the Duke of Milan to make a huge bronce statue in honor to his father. He never finished it, he did several clay models that were destroyed but his designings and drawings remained.

irina [24]3 years ago
3 0

Answer:

The Who was a painter, sculptor, architect, engineer, scientist, philosopher, and a visionary? This person was commissioned by the duke of Milan to create a huge bronze statue of his father on a horse.

Donatello

Sandro Botticelli

Lorenzo Ghiberti<--------

Leonardo da Vinci

Explanation:

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Some of the major empires that existed in the 11th to 16th century were Mongol Empire (1206–1368), Ottoman Empire and in the Americas, both the Inca Empire and the Aztec Empire.

<h3>Which empires existed in the fifteenth century?</h3>

Each of these empires that is the Inca Empire and the Aztec Empire in the Americas reached the height of their influence in the 15th century, although, the European colonization of the Americas modified the route of modern history.

Between the sixteenth and seventeenth centuries CE, the Islamic empire of Süleyman the Magnificent blanketed quantities of three continents that is Southeastern Europe, Western Asia, and North Africa which were at their height.

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Question 35 of 35
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A. was more efficient.

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Write a 300-word essay on Florence and Il Duomo. Instructions, think about Il Duomo. What do you think was the purpose of this s
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Answer:

Florence is a major city in Italy, it demonstrated her overlordship through some necessary actions which is the main purpose and criteria for the above questions. However, Duomo II with the help of Brunelleschi laid some impacts. What was the purpose of the structure built? Was Duomo strictly Utilitarian? And why the family built Duomo would be subsequently espoused in the following paragraphs.

Explanation:

The most significant structure on the planet!' This is the thing that the individuals of Florence may have called the Duomo Cathedral during the 1400s. To them, it likely was the most significant structure on the planet. Rather than rivaling other significant urban communities through football match-ups, Italian urban communities attempted to exceed each other's structures. Whoever had the best structures won! The Duomo Cathedral of Florence was so large, thus significant, it helped start a totally different period of craftsmanship and designing. Florence reserved a privilege to be glad!

The Duomo Cathedral of Florence, additionally called the Basilica di Santa Maria del Fiore, is fundamentally a congregation. A duomo is an Italian word for a house of prayer, or a Catholic church where the diocesan is found.

During when the Duomo was manufactured, Italy was brimming with city-states, or urban communities working as autonomous governments, that were developing new riches from universal exchange. All things considered, they were continually rivaling one another. Once in a while this implied war, however ordinarily the rivalries were essentially intended to humiliate the other or demonstrate that one city was the most extravagant and generally ground-breaking in the territory.

One mainstream approach to do this was by developing monstrous structures that necessary heaps of cash, labor, and mechanical advancement. A large number of these structures were perplexing to the point that the first engineers kicked the bucket before they were finished. The Duomo of Florence was huge to the point that it took a long time to manufacture and hundreds of years to finish with statues and artistic creations. This time of rivalry, craftsmanship, creations, war, and strict intensity was known as the Italian Renaissance, which endured from generally the 1300s through the 1500s.

Despite the fact that the whole house of God is mind blowing, the most well known compositional element is the arch, called the dome in Italian. Around 1417, the structure commission granted Filippo Brunelleschi and Lorenzo Ghiberti the assignment of building an arch on the highest point of the house of God. Ghiberti wound up dropping out of the task since he was dealing with another piece of the house of God. Brunelleschi was confronting a stupendous assignment. The zone that the vault needed to cover, the 140-foot crossing, was large to such an extent that no one realized how to manufacture an arch that wouldn't be so overwhelming it would fall.

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