Answer:
Explanation:
An enslaved man who bought his freedom and wrote compellingly about his experiences, Olaudah Equiano (c. 1745–1797) was an extraordinary man who became a prominent figure associated with the campaign to abolish the slave trade. Equiano was born in what is now Nigeria and sold into slavery aged 11.
1) <span>"Maybe she left because she's mad at me... or do you think I'm overthinking things?" asked Robbie.
2) Quotation marks should be used around the speaker's actual words because it is a punctuation of speech.
3) Slowing the action is NOT a reason to use dialogue in a story. When a character talks, it adds personality to a character and tells us more about what is happening.</span>
Answer: An "ode" is the type of poem that is enthusiastically emotional.
Explanation:
An ode is a formal poem that consists of several elements. These poems are normally about a certain person, place, or idea. Some may be about certain things such as an object. They almost always have enthusiastic emotion in them. There are four types of ode poems such as;
- Pindaric
- Greece
- Horatian
- Irregular
Some of the poems may have a set pattern but others do not. Each poem is unique.
Answer:
Lysistrata.
Explanation:
The word “satire” made its way into the English language in the sixteenth century. In 411 BC, the ancient Greek poet Aristophanes wrote Lysistrata. In this satirical comedy, the protagonist Lysistrata convinces women to withhold sex from men in an effort to convince them to end the Peloponnesian War.
Answer: Dulce et Decorum Est is by Wilfred Owen and is historical fiction. The title is significant as Dulce et Decorum Est (followed by pro patria mori) means that it is sweet and fitting to die for one's country. The title is ironic as the unlucky soul that dies to the gas attack does not die sweet or peacefully. It's just another day on the battlefields of World War I . As our speaker, another soldier on the battlefield, lets us know right away, however, "normal" isn't a word that has any meaning for the soldiers anymore. They're all mentally and physically ravaged by the exertions of battle.
And then it gets worse. Just as the men are heading home for the night, gas shells drop beside them. The soldiers scramble for their gas masks in a frantic attempt to save their own lives. Unfortunately, they don't all get to their masks in time. Our speaker watches as a member of his crew chokes and staggers in the toxic fumes, unable to save him from an excruciating certain death.
Now fast-forward. It's some time after the battle, but our speaker just can't get the sight of his dying comrade out of his head. The soldier's image is everywhere: in the speaker's thoughts, in his dreams, in his poetry. Worst of all, our speaker can't do anything to help the dying soldier.
Bitterly, the speaker finally addresses the people at home who rally around the youth of England, and urge them to fight for personal glory and national honor. He wonders how they can continue to call for war. If they could only witness the physical agony war creates – or even experience the emotional trauma that the speaker's going through now – the speaker thinks they might change their views. In the speaker's mind, there's noting glorious or honorable about death. Or, for that matter, war itself.
Explanation: 100% on it
