I think this is classified as a Idiom
<span>Which character relationship in The Tempest is the best representation of linguistic imperialism? A. Prospero and Caliban B. Boatswain and Gonzalo C. Trinculo and Caliban D. Ferdinand and Ariel. Ask fordetails; Follow · Report. by Klaudianurce 09/03/2017. Log in to add a comment. Only registered members have access</span>
Answer: The origins of Gothic literature can be traced to various historical, cultural, and artistic precedents. Figures found in ancient folklore, such as the Demon Lover, the Cannibal Bridegroom, the Devil, and assorted demons, later populated the pages of eighteenth- and nineteenth-century Gothic novels and dramas. In addition, many seventeenth- and eighteenth-century works are believed to have served as precursors to the development of the Gothic tradition in Romantic literature. These works include plays by William Shakespeare, such as Hamlet (c. 1600–01), and Macbeth (1606), which feature supernatural elements, demons, and apparitions, and Daniel Defoe's An Essay on the History and Reality of Apparitions (1727), which was written to support religion and discourage superstition by providing evidence of the existence of good spirits, angels, and other divine manifestations, and by ridiculing delusions and naive credulity. However, while these elements were present in literature and folklore prior to the mid-eighteenth century, when the Gothic movement began, it was the political, social, and theological landscape of eighteenth-century Europe that served as an impetus for this movement. Edmund Burke's treatise A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1757) introduced the concept of increasing appreciation for the nature of experiences characterized by the "sublime" and "beautiful" by depicting and then engaging (vicariously) in experiences comprised of elements that are contrary in nature, such as terror, death, and evil. Writers composed Gothic narratives during this period largely in response to anxiety over the change in social and political structure brought about by such events as the French Revolution, the rise in secular-based government, and the rapidly changing nature of the everyday world brought about by scientific advances and industrial development, in addition to an increasing aesthetic demand for realism rather than folklore and fantasy. The Gothic worlds depicted fears about what might happen, what could go wrong, and what could be lost by continuing along the path of political, social, and theological change, as well as reflecting the desire to return to the time of fantasy and belief in supernatural intervention that characterized the Middle Ages. In some cases Gothic narratives were also used to depict horrors that existed in the old social and political order—the evils of an unequal, intolerant society. In Gothic narratives writers were able to both express the anxiety generated by this upheaval and, as Burke suggested, increase society's appreciation and desire for change and progress.
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The potential advantages explored in the text, regarding equipping machines with a sense of morality are that they can be an asset to humans by being able to complete tasks and make wise, split-second life and death decisions; such as, when not to clear buildings with civilians in them during war situations. Paragraph 8 states that Ronald Arkin, a computer science professor and robotics expert at Georgia Tech, has been developing software, referred to as an “ethical governor”, which would make machines capable of deciding when it’s appropriate to fire and when it’s not. Another advantage, as stated in Paragraph 9, is that machines will not be vulnerable to the emotional trauma of combat or to the desire for revenge. It will be free of emotions and emotional ties to other individuals and/or machines.
The potential disadvantages explored in the text, regarding equipping machines with a sense of morality are that they could be a serious threat to human safety; especially since their moral compass will be based on that of a human’s. That, within itself, leaves a lot to be desired. In Paragraph 19, it states that human ethics are a work-in-progress, and we still confront situations for which we don’t have well-developed codes. The text also mentioned in Paragraph 9 that machines could evolve and get rid of us.
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